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Equipment Rental
Alexa XT Plus
Alexa XT Plus

Features:
Built-in Remote Control Features
With its built-in radio and lens motor electronics, the ALEXA XT Plus makes working on the set faster and more efficient. Plug the ARRI lens motors directly into the camera, turn on the wireless hand unit (like the WCU-4) and off you go. Integrating the wireless and lens control infrastructure into the camera not only saves time, but also weight, as a setup with an ALEXA XT and an external motor control box would be more cumbersome to cable and heavier in sum. Compatibility with the ARRI hand units, like the WCU-3 and WCU-4, as well as with the cmotion hand units makes this a very flexible tool.

Family Features:
Faster, lighter and more affordable ARRIRAW
All ALEXA XT cameras come with the new XR Module (Xtended Recording), a side panel that was co-developed with Codex to replace the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged 512 GB XR Capture Drives. This not only makes for a smaller, lighter and more affordable camera package, it also simplifies setup and operation while avoiding unnecessary cabling. The result is an even faster and more reliable way to record ARRIRAW, ALEXA\\\\\\\'s highest quality image output.
Once removed from the camera, the XR Capture Drive offers a number of different paths into post for every budget and time schedule demand, using the proven Codex workflow. First, the small and affordable Single Dock USB3 allows safe copying of data to a Retina MacBook Pro. Second, the Dual Dock can make clones of XR Capture Drives and connect to a Mac Pro via SAS (Serial Attached SCSI) for high speed copying. The included software provides all features for an efficient digital lab. And third, the Codex Vault is a modular, rugged and complete solution for copying, archiving, metadata management, reporting or dailies creation with the greatest ease and highest speed.

Faster and longer ProRes/DNxHD in-camera recording 
In addition to ARRIRAW it is also possible to capture ProRes or DNxHD to an XR Capture Drive for significantly longer recording times as well as ProRes 4444 recording at 120 fps. ProRes 4444 at 24 fps can be recorded for a total time of 107 minutes. And recording onto SxS PRO cards is also possible: with the SxS Adapter it is possible to record ProRes or DNxHD to a single SxS PRO card, thus protecting the inventory of existing cards. And with the CFast 2.0 Adapter it is possible to record onto CFast 2.0 cards, the same medium used by AMIRA, the new documentary style camera. 

As an extra feature, the black protective top cover of the XR Module can be replaced with red, green, blue, yellow or white top covers to identify A, B, C, D, E and F camera units.

True anamorphic with a 4:3 sensor 
For the most effective use of anamorphic lenses, each ALEXA XT model is equipped with a 4:3 sensor of the same size and shape as a Super 35 mm film frame. A 4:3 sensor is crucial for delivering the unique and cinematic widescreen look that can trace its origins back to the CinemaScope films of the 1950s. It is a look that has long been appreciated by cinematographers, directors and the viewing public. An anamorphic de-squeeze license is included with all ALEXA XT cameras, as is a high speed license for filming at up to 120 fps. The 4:3 sensor is also useful for non-anamorphic productions as it permits significant reframing of the image in post, similar to shooting 4-perforation 35 mm.

Sony PMW F55
Sony PMW F55

Sony PMW F55:
Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. *Expected as a future upgrade. ** Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximize versatility in 2D and 3D The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting.

Zeiss Compact Prime CP.2 135mm
Zeiss Compact Prime CP.2 135mm

The Zeiss Compact Prime CP.2 135mm/T2.1 EF Mount with Imperial Markings is a cine prime lens designed for filmmaking and video production applications. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.

Announced at NAB 2012, this lens is a long telephoto addition to Zeiss\\\\\\\'s Compact Prime CP.2 family of cine primes. Like the rest of the family, the 15mm features an interchangeable-mount system that affords a major forward-looking benefit -- not only can the lens now be used with cameras of different mounts, but rather it is ensured to also be compatible with most all future cameras. The system offers compatibility with PL, EF, F, MFT and E mounts. Zeiss\\\\\\\'s website provides instructions on how to dismantle an existing mount and assemble a new one. The five mounts allow use with cine cameras and DSLRs.

The CP.2 135 is ideal for portrait shots. The long focal length allows a working distance that avoids distortion and a narrow angle of view that can focus in on the foreground. A shallow depth of field native to telephotos further isolates the foreground from the background.

The optics and mechanics are superior too. The lens incorporates two aspheric lens elements and two special types of glass with abnormal partial dispersion that exceptionally corrects for chromatic aberration. Zeiss-famous T* anti-reflective coating along with internal light traps provide advanced flare suppression. Fourteen high-precision iris blades open up consistently circular across all T-stops, allowing impressive highlights in out-of-focus areas and producing smooth bokeh.

As for high flexibility, in addition to the interchangeable-mount system, the CP.2 135, like the rest of its family, provides full coverage of full frame 24 x 36 sensors. Accordingly, it can, now or at a future time, be used with any 24 x 36 sensor camera, such as the Canon 5D and 1DC and the Nikon D800.

The lens also offers follow-focus flexibility. Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems. In addition, the CP.2 135 also offers a focus ring rotation of a manual 300° and as such allows accurate follow-focusing.

Yet back to flexibility -- for anyone who wants to take advantage of the 4K shooting capacity of many of the cameras being released, the entire CP.2 family, with the 135mm included, is 4K-compatible.

The 135mm is also color-matched with the rest of the CP.2 family, and so swapping it with another from within the family can conveniently be done without correcting for changes in post.

Built sturdy and with long-lasting optics, and promising future-proof compatibility, the 135mm can be relied on for many years of use in sharp resolution.

The particular page you\\\\\\\'ve clicked on is for an EF mount version with imperial body markings.
High Performance
• Telephoto capable of powerful portrait shots
• 135mm / 11° angle of view / shallow depth of field
• Complete coverage of full frame 24 x 36 size sensors
• 300° manual focus rotation allows precise follow-focusing
• Accurately captures horizontal and vertical architectural lines
• 4K-compatible
Superb Optics
• Two aspheric lens elements and two special types of glass
• T* coating and internal light traps very exceptionally handle flare
• Fourteen iris blades open up consistently circular across all T-stops
• Achieves smooth bokeh and impressive highlights in out-of-focus areas
Broad Flexibility
• Features an interchangeable mount system
• Offers PL, EF, F, MFT, and E mount compatibility
• Standard focus / iris gears for follow-focus compatibility
• Works with all 24 x 36 sensor cameras, like the 5D and 1DC
• Consistent front diameter and color-matched with the rest of the CP.2 family

Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens
Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens

The Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. At 9.84\\\\\\\" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam applications.

Zeiss Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. Interchangeable lens mounts are available in PL, Canon EF, Nikon F, Micro 4/3, and Sony E, which means that users are not locked into a single camera system. A range of mounting options and 4K-ready optics make the 70-200mm Compact Zoom a virtually \\\\\\\"future proof\\\\\\\" lens.
Full-frame coverage (36 x 24 mm)
No focus shift over the zoom range
Robust cine-style housing and calibrated focus scales
T* anti-reflex coating and internal light traps suppress flare
Circular shape of iris
Interchangeable lens mounts
Imperial measurements

Zeiss Compact Prime CP.2 85mm T2.1 Cine Lens
Zeiss Compact Prime CP.2 85mm T2.1 Cine Lens

The Zeiss Compact Prime CP.2 85mm/T2.1 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional Nikon F or cinema-standard PL mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget.
Interchangeable Mount
The Compact Prime CP.2 lenses are the world\\\\\\\'s first cine lenses designed for use with DSLR cameras. The interchangeable mount guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms.
• Allows a mix of DSLR systems with traditional cine cameras, for maximum flexibility on set
• No need for adapter solutions anymore
• Three different mounts available (PL, EF and F mount)
Ready for the Future
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. Combined with the interchangeable mount, the Compact Prime CP.2 offers the possibility to upgrade to any number of existing or future cine and still cameras while still utilizing the same set of lenses.
• Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
• Common aperture of T2.1 for the standard lens set
• Sweet spot effect with APS-C sensors
Unique 14-Blade Iris
The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
High Optical Performance
The modern lens design as well as the cine manufacturing process and tight tolerances ensure low distortion, high resolution and excellent color rendition for sharp, punchy images.
• High resolution and contrast
• Low distortion
• Color matched
Great flare suppression through T* anti-reflex coating and internal light traps
Calibrated lens scales
Standard focus and iris gear positions
Stable exposure due to manual operated aperture
Robust and reliable cine style housing
Longer focus rotation and a manual focus
Consistent front diameter from lens to lens

Zeiss Compact Prime CP.2 50mm T2.1 Cine Lens
Zeiss Compact Prime CP.2 50mm T2.1 Cine Lens

The Zeiss Compact Prime CP.2 50mm/T2.1 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional Nikon F or cinema-standard PL mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget.
Interchangeable Mount
The Compact Prime CP.2 lenses are the world\\\\\\\\\\\\\\\'s first cine lenses designed for use with DSLR cameras. The interchangeable mount guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms.
• Allows a mix of DSLR systems with traditional cine cameras, for maximum flexibility on set
• No need for adapter solutions anymore
• Three different mounts available (PL, EF and F mount)
Ready for the Future
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. Combined with the interchangeable mount, the Compact Prime CP.2 offers the possibility to upgrade to any number of existing or future cine and still cameras while still utilizing the same set of lenses.
• Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
• Common aperture of T2.1 for the standard lens set
• Sweet spot effect with APS-C sensors
Unique 14-Blade Iris
The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
High Optical Performance
The modern lens design as well as the cine manufacturing process and tight tolerances ensure low distortion, high resolution and excellent color rendition for sharp, punchy images.
• High resolution and contrast
• Low distortion
• Color matched
Great flare suppression through T* anti-reflex coating and internal light traps
Calibrated lens scales
Standard focus and iris gear positions
Stable exposure due to manual operated aperture
Robust and reliable cine style housing
Longer focus rotation and a manual focus
Consistent front diameter from lens to lens

Zeiss Compact Prime CP.2 35mm T2.1 Cine Lens
Zeiss Compact Prime CP.2 35mm T2.1 Cine Lens

The Zeiss Compact Prime CP.2 35mm/T2.1 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional cinema-standard PL or Nikon F mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget.
Interchangeable Mount
The Compact Prime CP.2 lenses are the world\\\\\\\'s first cine lenses designed for use with DSLR cameras. The interchangeable mount guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms.
• Allows a mix of DSLR systems with traditional cine cameras, for maximum flexibility on set
• No need for adapter solutions anymore
• Three different mounts available (PL, EF and F mount)
Ready for the Future
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. Combined with the interchangeable mount, the Compact Prime CP.2 offers the possibility to upgrade to any number of existing or future cine and still cameras while still utilizing the same set of lenses.
• Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
• Common aperture of T2.1 for the standard lens set
• Sweet spot effect with APS-C sensors
Unique 14-Blade Iris
The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
High Optical Performance
The modern lens design as well as the cine manufacturing process and tight tolerances ensure low distortion, high resolution and excellent color rendition for sharp, punchy images.
• High resolution and contrast
• Low distortion
• Color matched
Great flare suppression through T* anti-reflex coating and internal light traps
Calibrated lens scales
Standard focus and iris gear positions
Stable exposure due to manual operated aperture
Robust and reliable cine style housing
Longer focus rotation and a manual focus
Consistent front diameter from lens to lens

Zeiss Compact Prime CP.2 21mm T2.9 Cine Lens
Zeiss Compact Prime CP.2 21mm T2.9 Cine Lens

The Zeiss Compact Prime CP.2 21mm/T2.9 Cine Lens (EF Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional Nikon F or standard-cinema PL mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget.
Interchangeable Mount
The Compact Prime CP.2 lenses are the world\\\\\\\'s first cine lenses designed for use with DSLR cameras. The interchangeable mount guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms.
• Allows a mix of DSLR systems with traditional cine cameras, for maximum flexibility on set
• No need for adapter solutions anymore
• Three different mounts available (PL, EF and F mount)
Ready for the Future
The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. Combined with the interchangeable mount, the Compact Prime CP.2 offers the possibility to upgrade to any number of existing or future cine and still cameras while still utilizing the same set of lenses.
• Full-frame coverage (24 x 36 mm) for focal lengths 21 to 100 mm
• Common aperture of T2.1 for the standard lens set
• Sweet spot effect with APS-C sensors
Unique 14-Blade Iris
The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together they help create and capture special moments on film.
High Optical Performance
The modern lens design as well as the cine manufacturing process and tight tolerances ensure low distortion, high resolution and excellent color rendition for sharp, punchy images.
• High resolution and contrast
• Low distortion
• Color matched
Great flare suppression through T* anti-reflex coating and internal light traps
Calibrated lens scales
Standard focus and iris gear positions
Stable exposure due to manual operated aperture
Robust and reliable cine style housing
Longer focus rotation and a manual focus
Consistent front diameter from lens to lens

Compact Prime CP.2 15mm T2.9 EF
Compact Prime CP.2 15mm T2.9 EF

The Zeiss Compact Prime CP.2 15mm/T2.9 EF Mount with Imperial Markings is a cine prime lens designed for filmmaking and video production applications. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.

Announced at NAB 2012, this lens is a super-wide addition to Zeiss\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Compact Prime CP.2 family of cine primes. Like the rest of the family, the 15mm features an interchangeable-mount system that affords a major forward-looking benefit -- not only can the lens now be used with cameras of different mounts, but rather it is ensured to also be compatible with most all future cameras. The system offers compatibility with PL, EF, F, MFT and E mounts. Zeiss\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s website provides instructions on how to dismantle an existing mount and assemble a new one. The five mounts allow use with cine cameras and DSLRs.

The CP.2 15 is designed to shoot wide angles in tight spaces and does so very effectively. It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s a rectilinear flat field lens that does extremely well in the distortion area, minimizing it to almost non-existence and producing razor-sharpness to the very edges of a frame, even on full frame sensor cameras. The 15mm is a great tool for shooting architectural settings in confined spaces, as it accurately captures horizontal and vertical lines and delivers natural looks.

The optics and mechanics are superior too. The lens incorporates two aspheric lens elements and two special types of glass with abnormal partial dispersion that exceptionally corrects for chromatic aberration. Zeiss-famous T* anti-reflective coating along with internal light traps provide advanced flare suppression. Fourteen high-precision iris blades open up consistently circular across all T-stops, allowing impressive highlights in out-of-focus areas and producing smooth bokeh.

As for high flexibility, in addition to the interchangeable-mount system, the CP.2 15, like the rest of its family, provides full coverage of full frame 24 x 36 sensors. Accordingly, it can, now or at a future time, be used with any 24 x 36 sensor camera, such as the Canon 5D and 1DC and the Nikon D800.

The lens also offers follow-focus flexibility. Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems. In addition, the CP.2 15 also offers a focus ring rotation of a manual 300° and as such allows accurate follow-focusing.

Yet back to flexibility -- for anyone who wants to take advantage of the 4K shooting capacity of many of the cameras being released, the entire CP.2 family, with the 15mm included, is 4K-compatible.

The 15mm is also color-matched with the rest of the CP.2 family, and so swapping it with another from within the family can conveniently be done without correcting for changes in post.

Built sturdy and with long-lasting optics, and promising future-proof compatibility, the 15mm can be relied on for many years of use in sharp resolution.

The particular page you\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'ve clicked on is for an EF mount version with imperial body markings.
High Performance
• Shoots super wide angles in tight spaces
• Rectilinear flat field lens with minimal distortion
• Produces razor-sharpness to the edges of a frame
• Complete coverage of full frame 24 x 36 size sensors
• 300° manual focus rotation allows precise follow-focusing
• Accurately captures horizontal and vertical architectural lines
• 4K-compatible
Superb Optics
• Two aspheric lens elements and two special types of glass
• T* coating and internal light traps very exceptionally handle flare
• Fourteen iris blades open up consistently circular across all T-stops
• Achieves smooth bokeh and impressive highlights in out-of-focus areas
Broad Flexibility
• Features an interchangeable mount system
• Offers PL, EF, F, MFT, and E mount compatibility
• Standard focus / iris gears for follow-focus compatibility
• Works with all 24 x 36 sensor cameras, like the 5D and 1DC
• Consistent front diameter and color-matched with the rest of the CP.2 family

Fujinon XS8X4AS XB8
Fujinon XS8X4AS XB8

The Fujinon XS8X4AS-XB8 is an 8x 1/2\\\\\\\\\\\\\\\" wide-angle high definition lens designed specifically for the Sony PMW-EX3 XDCAM EX camcorder. The lens is fitted with the EX bayonet mount, making it easy to attach and remove. The focal-length range is 4-32mm with a minimum object distance of under 0.6 meter, or about 2 feet.

Canon 70-200mm IS2
Canon 70-200mm IS2

This lens has a minimum focusing distance of 3.9\\\\\\\' (1.2 m) at all zoom settings so you can shoot close to your subject even in smaller spaces. Like all Canon L-series lenses, this telephoto zoom is dust and moisture resistant and designed to keep on going even in the most challenging of environments.

Fluorite & ultra-low dispersion lens elements reduce aberrations and contribute to high resolution, high-contrast imaging.
Two-mode Image Stabilization can correct for all types of camera shake. Mode 1 corrects for still images and Mode 2 for the extraneous up and down movement created when panning with a moving subject.
An ultrasonic autofocus motor provides fast, smooth and silent autofocus.
Manual focus override enables precise manual focus even when in autofocus mode.
A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The two ranges are 3.9\\\\\\\' to infinity and 8.2\\\\\\\' to infinity.
A truly round aperture hole results in more pleasing out-of-focus areas.
Tight seal structure ensures excellent dust-proof and moisture-proof performance.
Removable, rotatable tripod collar is included.

Canon EF 70-300mm f4-5.6L IS USM
Canon EF 70-300mm f4-5.6L IS USM

The EF 70-300mm f/4-5.6L IS USM features a function that prevents erroneous operation when the lens is mounted on a tripod or monopod. The lens is dust and water resistant, and has a Fluorine coating that keeps soiling, smears and fingerprints to a minimum. The lens is perfect for portraiture or to bring what\\\\\\\'s far away up close.
Two mode optical Image Stabilization System increases usability by approximately four stops
The lens features a function that prevents erroneous operation when the lens is mounted on a tripod or monopod.
The EF 70-300 f/4-5.6L IS USM incorporates a floating focusing mechanism for sharpness from 3.9\\\\\\\' (1.2m) to infinity.
Two Ultra Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration
The lens accepts an optional removable tripod collar, and is dust and water resistant.
The Fluorine coating keeps soiling, smears and fingerprints to a minimum.

Canon EF 135mm f2L USM
Canon EF 135mm f2L USM

The EF 135mm f/2L USM Lens from Canon is designed to meet the needs of a wide range of advanced amateurs and professionals. With its f/2 maximum aperture, it is effective in low light situations and able to obtain shallow depth of field with superior background blur. A ten element optical formula with two UD-glass elements serves to correct residual aberrations, resulting in superb sharpness and high image quality.
An ultrasonic autofocus motor (USM) enables fast, smooth and silent autofocus and fulltime manual override allows for precise manual focus even in autofocus mode. The minimum focus distance for the 135mm f/2 is 3.0\\\\\\\'. A switch on the lens barrel enables you to adjust the focusing distance range for faster autofocus speed. It is a stellar portrait and available light lens and is fully compatible with the Canon EF1.4x II and EF2.0x II extenders.

Two UD Glass Elements
Two UD-glass elements minimize aberrations and result in sharp pictures from corner-to-corner.
Ultrasonic Autofocus Motor
An Ultrasonic Autofocus Motor (USM) provides fast, smooth and quiet autofocus.
Focus Range Limiter
On the 135mm f/2L lens you can choose the focusing distance range with a switch on the lens barrel. By setting a suitable focusing distance range, actual autofocus time can be shorter. The two focusing ranges are 3.0\\\\\\\' to infinity and 5.2\\\\\\\' to infinity
Manual Focus Override
Full-time manual focus override allows you to use manual focus mode for precision focusing at any time, even when in autofocus mode.

Canon EF24-105mm f4L IS USM
Canon EF24-105mm f4L IS USM

The EF 24-105mm f/4L IS USM Lens from Canon is a versatile, easy-to-use standard zoom lens that covers a focal range from wide-angle to portrait-length telephoto. Its constant maximum aperture of f/4 provides effective consistency when at the telephoto end of the zoom range.
The L-series is Canon\\\\\\\'s flagship professional lens series, combining the highest standards of precision optics and operability with dust and moisture resistant construction. Canon\\\\\\\'s ring-type Ultrasonic Motor (USM) provides silent and quick autofocus as well as full-time manual focus override. Optical image stabilization enables up to 3-stops of compensation against the effects of camera shake and one Super-UD and three aspherical lens elements minimize aberrations for overall optical clarity.
With impeccable construction and comfortable handling, this is a durable yet sophisticated lens that meets the demands of advanced amateur photographers and professional photographers alike.
Image Stabilizer
Ideal for handheld work, IS Optical Image Stabilizer allows use of shutter speeds up to 3-stops slower with no perceptible increase in image blur.
Fixed Aperture
With no change in aperture over the full focal length range, photographers can set exposure at the widest aperture and zoom through to 105mm without slowing shutter speed.
Super UD and Aspherical Lens Elements
Constructed with one Super-UD glass element and three aspherical lenses, this lens minimizes chromatic aberration and distortion. The result is excellent picture quality, even at wide apertures.
Ring USM
Ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive responsive, near-silent high speed auto focus. Good holding torque stops the focusing lens group with precision without overshoot. Full time manual focus override is available without having to switch out of AF.
Super Spectra Coatings
Optimized Super Spectra lens coatings and lens element shaping suppress flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true color balance and increase contrast for vivid hi-fidelity images.

Canon EF 100mm f2.8L Macro IS USM
Canon EF 100mm f2.8L Macro IS USM

The EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of Canon\\\\\\\'s popular 100mm Macro lens. As an L-series lens it offers the utmost in optical construction, including ultra-low dispersion lens elements and moisture and dustproof seal structure on the barrel. Its 100mm focal length is effective for portraiture and other telephoto applications and as a macro lens with 1:1 magnification and a 12\\\\\\\" minimum focus distance, it is ideal for life-size close-up imaging.
The lens features Hybrid Optical Image Stabilization with up to 4-stops of shake control for effective low light capture and with the vibration gyro and acceleration sensor it compensates for both angular and shift camera shake during close-up shooting. An ultrasonic focus motor (USM) provides quick and quiet auto-focusing and full-time manual focus override enables precise manual focus eve in AF mode. A focus range limiting function offers three distance ranges to control the range in which the AF looks for focus, thus reducing focusing time. Internal focus system means that the barrel does not extend when focusing, which is crucial when shooting macro.
This lens includes a dedicated lens hood and is compatible with an optional Canon tripod collar and Canon Macro Ring Lite.
Tele-Macro Focal Length
The convenient 100mm focal length of the Canon EF 100mm f/2.8L Macro IS USM Lens allows for a comfortable shooting distance between the camera and subject, and less chance of shadow interference when shooting at closer focusing ranges.
Life-Size Image Reproduction
The lens allows for continuous focusing down to 1:1 life-size magnification. Optional extension tubes can increase this ratio for even greater magnification.
L-Series Optical Quality
As a Canon L-series optic, the Canon EF 100mm f/2.8L Macro IS USM Lens can be counted among the sharpest, best-built, weatherproof optics available for Canon EOS SLR cameras.
Hybrid Optical Image Stabilization
With the vibration gyro and acceleration sensor, the hybrid image stabilization system is effective for close-up shots. With a 4-stop compensation the IS enables blur-free images when shooting telephoto in low light and when working close-up in macro mode.
Quick and Quiet Focusing
By incorporating an ultrasonic focus motor, Canon has improved the speed and reduced the noise levels of the lens\\\\\\\'s autofocus system, while still allowing for full-time manual override.
Focus Range Limiter
Focusing distance range can be selected with a switch on the lens barrel. By setting a suitable focusing distance range, actual autofocus time can be shortened. The three focusing ranges are 1-1.6\\\\\\\', 1.6\\\\\\\'-infinity and the full range of 1\\\\\\\' to infinity.

Canon EF 85mm f1.2L II USM
Canon EF 85mm f1.2L II USM

The EF 85mm f/1.2L II USM Lens from Canon is a fast, medium telephoto lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional\\\'s choice for shooting without flash in low light conditions. The large aperture also provides fine control over depth of field for compelling portrait photography. A floating optical system and high precision aspherical lens element reduce aberrations and contributes to excellent imaging performance even at the maximum aperture. Super Spectra lens coatings minimize reflections, reducing flare and ghosting.
Retaining the impressive optical performance and large aperture of its predecessor, this lens has been improved with a ring-type ultrasonic autofocus motor (USM), high-speed CPU and optimized algorithms to achieve fast, smooth and quiet autofocus. Manual focus override enables precise manual focus at any time, even in AF mode. The truly circular aperture creates a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits. This L-series lens features weather-sealing to protect the lens from damage brought on by moisture and dust.
L-Series
The L-series is Canon\\\'s flagship professional lens range, combining outstanding image performance and ultimate operability with dust and moisture resistant construction.
Large f/1.2 Aperture
The large maximum aperture of f/1.2 provides outstanding speed for shooting in low light conditions, without the need for flash.
Fast and Quiet AF
The ring-type USM uses ultrasonic frequency vibrations to drive extremely rapid autofocus with near-silent operation. A high-speed CPU and optimized AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF.
Super Spectra Coatings
Super Spectra lens coatings and lens element shaping suppress flare and ghosting, more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true color balance and increase contrast for vivid hi-fidelity images.
Aspherical Element
The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance.
8-Bladed Circular Aperture
The circular aperture creates a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits.

Canon EF 50mm f1.2L USM Lens
Canon EF 50mm f1.2L USM Lens

The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare. A truly circular diaphragm results in pleasing out-of-focus areas.
An ultrasonic autofocus motor (USM) provides fast, smooth and quiet autofocus action and manual focus override allows for precise manual focusing even in AF mode. With a tight seal structure and the addition of the optional Canon protect filter, the 50mm f/1.2L lens is moisture and dust proof.
Large f/1.2 Aperture
A large maximum aperture of f/1.2 provides outstanding speed for shooting in low light conditions, without the need for flash. The large aperture also provides fine control over depth of field.
Excellent Background Bokeh
A circular aperture helps to create attractive background bokeh; ideal for isolating subjects at large apertures and for compelling portrait photography.
Fast, Quiet Autofocus
A Ring-type USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and improved AF algorithm contribute further to AF speed. Good holding torque stops the focusing lens group without overshoot. Full time electronic manual focus override is available without having to switch out of AF.
Super Spectra Coatings
Super Spectra lens coatings and lens element shaping suppress flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true color balance and increase contrast for vivid hi-fidelity images.
Passes Distance Information to E-TTL II
The lens passes distance information back to the E-TTL II flash system of compatible EOS cameras to ensure optimal flash metering.

Canon EF 35mm f1.4L USM Lens
Canon EF 35mm f1.4L USM Lens

The superior-quality EF 35mm f/1.4L USM Lens from Canonfeatures a brilliant maximum aperture of f/1.4, along with the superior natural image quality of Canon L-series lenses. Such a wide aperture is ideal for low-light imaging and for exacting depth of field control. An advanced floating mechanism and aspherical lens element achieve extremely sharp, distortion free pictures from infinity to its closest shooting distance of 1.0\\\'. With a ring-type ultrasonic autofocus motor (USM) and rear focus, autofocus is fast and virtually silent. A wide focusing ring provides comfortable manual focus, and the filter ring remains stationary for ease of use with polarizers and other special effects filters. Full time manual focus override enables precise manual focus even when in AF mode.
Fast f/1.4 maximum aperture is effective in low light shooting and enables shallow depth of field control.
An ultrasonic autofocus motor (USM) provides precise, fast and quiet AF action.
Full-time manual focus override allows for precise manual focus control at all times, even in autofocus mode.
An aspherical lens element reduces aberrations and optimized Super Spectra lens coatings minimize ghosting and flare.

Canon EF 24-70mm f2.8L II USM Lens
Canon EF 24-70mm f2.8L II USM Lens

This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.
A ring-type USM and high-speed CPU with optimized AF algorithms ensure silent, fast autofocusing. The lens is constructed with improved dust sealing and water resistance, while fluorine coatings on the front and rear lens reduce fingerprints and smearing. A circular 9-blade diaphragm gives beautiful, soft backgrounds. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.

Canon EF 16-35mm f2.8L II USM Lens
Canon EF 16-35mm f2.8L II USM Lens

The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. Precise manual focus is supported even in One Shot AF mode and a truly round aperture results in pleasing background blur.
All of the \\\"L\\\" lenses deliver optical performance equal to similar fixed focal lengths lenses and provide tight seal structures for dust and water resistance. Distortions and aberrations are remarkably small for a lens of such amazing capabilities. An included petal-style lens hood keeps unwanted light from entering the lens and causing flare and it offers a degree of protection against impact and the elements.
Ultra-low dispersion glass and three high-precision aspherical lens elements, each of a different type: ground, replica and GMo minimize aberrations and improve overall image quality.
A ring-type Ultrasonic motor (USM) provides quiet, fast, precision auto focusing and predictive tracking.
Full-time manual focus override (even in AF mode) is supported.
Circular aperture diaphragm produces brilliant out-of-focus characteristics.
A petal-type lens hood is included.

Canon EF 24mm f1.4L II USM Lens
Canon EF 24mm f1.4L II USM Lens

The EF 24mm f/1.4L II USM lens features Canon\\\'s near-silent Ultra Sonic Motor (USM), which provides fast auto-focusing with full-time manual override. The floating internal focus system also helps maintain image quality throughout the focal range. As an L-series lens, it is designed to withstand the demands of professional usage and features Canon\\\'s advanced weather and dust sealing.
Fast f/1.4 Maximum Aperture
A wide f/1.4 maximum aperture allows this lens to be very effective in low light situations and provides shallow depth of field focusing.
Aspherical and UD Lens Elements
Two aspherical and two UD lens elements minimize chromatic aberrations.
SWC (Sub Wavelength Coating)
The anti-reflective SWC (Sub Wavelength Coating) differs from conventional coatings by using a much finer structure, which minimizes ghosting and flaring across the lens surface, regardless of the angle with which light enters or exits.
Ring-Type USM Autofocus Motor
Canon\\\'s very best autofocus mechanisms are in place, permitting full-time manual focusing override without requiring a switchover from AF to MF mode. The USM (Ultrasonic Motor) is fast and virtually silent which is ideal for discreet shooting and when using this lens to record video. The floating rear focusing system maintains performance across the entire focus range.
L-Series
Canon\\\'s \\\"L-Series\\\" designation indicates that this lens meets their highest quality standards with excellent color reproduction and edge to edge sharpness. Lens elements are made from lead-free glass and a tight seal structure ensures excellent dust and moisture-proof performance

Canon Extention X2
Canon Extention X2

The Extender EF 2x III features nine optical elements in five groups, ensuring improved optical performance. All optical elements have Canon\\\'s Super Spectra coating to reduce ghosting and flare. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.
To facilitate the accurate transfer of imaging data between the lens and camera body, the extender features an integrated processor which ensures all focusing, metering and ID information is available - allowing the photographer to capture balanced, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable AF accuracy even when capturing moving subjects. When attached, the 2x extender reduces the effective maximum aperture by 2 stops.
A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon\\\'s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.
Note: This converter is only compatible with fixed focal length L-series lenses 135mm and over, as well as the EF 70-200/2.8L, EF 70-200/2.8L IS, EF 70-200/4L, and EF 100-400/4.5-5.6L. Additionally, please see the lens and/or camera body manual for full autofocus compatibility information with the Extender EF 2X III.
Carefully positioned lens release mechanism makes it easy to mount the extender quickly, reducing the time the camera and lens are exposed to the environment.
Integrated processor communicates between camera and lens and ensures all focusing, metering and ID information is available.
All optical elements use Canon\\\'s Super Spectra coating, reducing ghosting and flare.
Fluorine Coating on the front and rear elements keeps soiling, smears, and fingerprints to a minimum.
Sealed to be resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.

PIX 270i
PIX 270i

The PIX 270i records and plays Apple ProRes or Avid DNxHD QuickTime video files through its 12-bit 4:4:4 3G-SDI at data rates from 330 Mb/s (Apple ProRes 4444) down to 36 Mb/s (Pro- Res and DNxHD proxy files). Files recorded on a PIX 270i can be directly imported by leading editing systems including Avid Media Composer, Apple Final Cut Pro, and Adobe Premiere Pro. And QuickTime files made in an editing system are ready for playback on the PIX 270i,
The PIX 270i integrates extensive audio capability with eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, 64 channels of MADI audio (both coaxial and optical), and 64 channels of Dante audio over Ethernet. The unit records audio-only monophonic and polyphonic WAV files.
PowerSafe circuitry provides a constant 10-second power reserve. In the event of power loss, the PIX 270i continues to operate for up to 10 seconds, then cleanly stops any file operation and safely shuts down. The PIX 270i draws 10-27 VDC through a four-pin XLR connector. A secondary connection allows connection to redundant power supplies.

Sony PMW EX30 XD Cam Recorder
Sony PMW EX30 XD Cam Recorder

Sony PMW EX30 XD Cam Recorder Offering two SxS PRO memory card slots, a 3.5inch high resolution LCD screen and a wide range of analogue and digital interfaces including HD-SDI input, the PMW-EX30 has been designed to be the ideal companion to existing EX line up of camcorders. With the ability to dub to other HD formats such as HDV, XDCAM HD or HDCAM and with the addition of down-conversion of HD content to SD formats including DVCAM, the PMW-EX30 offers an ideal solution for those customers wanting to integrate XDCAM EX footage into a wide range of existing SD or HD tape-based or non-linear workflows. Along with all these features, the recorder offers the same thumbnail operation and clip access as the camcorders, including the card copy function.

dbx iEQ31
dbx iEQ31

The iEQ series represents a major step forward in the performance of graphic equalizers. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-31 offers out of this world specifications with a down-to-earth price point. With such pristine design and quality, the iEQ-31 offers the maximum sonic flexibility in a straightforward interface and rock-solid construction.

Zoom H-6
Zoom H-6

Zoom H-6, portable 6-Track Audio-Recorder 24-Bit/96 kHz, up to 6 Channels recording, interchangeable mic system, 4x Mic/Line Input thomann XLR/TRS - up to 6 Inputs expandable (optional I/O Module), 6/2 Channel USB Audio-Interface, supports SD/SDHC Cards up to 32 GB and SDXC Cards up to 128 GB, Color LCD-Display, build-in Speaker, Power via 4x AA Battery or USB, incl. XY- and Mid-Side Microphone.

Whirlwind DA-2
Whirlwind DA-2

Whirlwind DA-2 is a 2-channel audio distribution amplifier featuring switchable 2 x 4 or 1 x 8 configurations, electronically balanced XLR outputs and active XLR inputs. This high-headroom, high-output unit is equipped with individual level controls and LED indicators for each output, and a separate headphone output with a dedicated volume control.

Glensound GS-MPI004 HD
Glensound GS-MPI004 HD

The GS-MPI004 HD has been designed to solve the problems of using mobile phones for audio broadcast purposes. It is a 2G GSM phone and also a 3G UMTS narrow band and 7 kHz HD Voice phone.

DMX384 (16 Channel)
DMX384 (16 Channel)

- Total of 384 output channels
- Control 12pcs DMX lighting fixtures with 32 DMX channel each
- 30 banks of 8 programmable scenes
- 16 sliders for manual control of channels
- Run last CHASE or BANK continuous when power on again
- Midi control over banks, chases and blackout
- Record up to 6 programmable chases with fade time and speeds
- LED function and program display
- Built in microphone for music triggering
- Auto mode program controlled by fade time sliders
- DMX in/out: 3 pin male/female XRL
- LED lamp connector
- Power input: DC 9-12V 1000ma min
- Dimensions (mm):520mmX183mmX73mm
- Net Weight: 3.0kg

12 Channel DMX Modular Dimmer Pack (20A per channel)
12 Channel DMX Modular Dimmer Pack (20A per channel)

Automatic frequency sensor can detect power frequency (45Hz-63Hz) in different areas to stabilize the dimming output.
Modular design for easy maintenance and software upgrade.
Intelligent thermo-controlled system:
When the internal temperature over 37℃, the thermo-controlled fan will be activated automatically intermittently.
When the internal temperature over 50℃, the thermo-controlled fan will be ran at full speed.
When the internal temperature over 75℃, it will stop the output automatically to protect the system.
4 set thermo-controlled fans to disperse heat and reduce dust accumulation.
Output of each channel can be limited to protect the load.
DMX address setting: Each channel can set DMX address via LCD display.
SSR: SR-40R with TUV certificate, 40A/ 600V.
Dual signal inputs: For both DMX signal and analog signal.
Signal input indicator.
Self- testing function to test without a console.
Warm-up setting: Each channel can set warm-up value from 0 to 6% to protect lamps.
Options of dimming or non-dimming for each channel.
6 scenes memory and up to 99 zones.
Able to set fade in/ fade out time of scene.
Display interior temperature to assure the safety.
Display V1-V2-V2-V3 by LED indictor.

6 Channel Dimmer Pack
6 Channel Dimmer Pack

The Transcension 6 channel dimmer is a high-end 6 channel DMX/analogue controlled dimmer pack, whose range of functions makes it ideally suited for use in nightclubs, theaters and for live performances.
You can control it either digitally using its DMX 512 input or by analogue using the additional 8-pole DIN connector. The unit features a pre-heat and limiter function for prolonging lamp life. The dimmer also features a switch option that allows a simple on/off control of each channel. An additional useful feature is the automatic digital input check for detecting DMX signal failure. When in manual mode, dimming can be done even without an external lighting console. An auto store function saves all settings after leaving the configuration mode. The dimmer pack features a LCD display.

Axxent Intercom Set
Axxent Intercom Set

Axxent Complete Intercom Set 1 - contains: CP-100 compact-station with speaker function, power supply PS-100 for up to 6 thomann units, rack-kit for CP-100, 2x BP-100 belt pack, 3x K800E single ear headset.

HME Intercom Set (Wireless) DX200
HME Intercom Set (Wireless) DX200

The easy-to-use HME DX200 System comes complete with synthesized voice prompts, rechargeable batteries, battery charger and rugged, lightweight COMMUNICATORs for reliable and cost-effective operation. With digital encryption and frequency-hopping technologies, you\'ll never have to worry about unauthorized users hearing your conversation.

Teleprompter
Teleprompter

Motorola Hand Portable Two-Ways Radio, MT-777
Motorola Hand Portable Two-Ways Radio, MT-777

Motorola Hand Portable Two-Ways Radio, MT-777

Key Features:
1.Channel step 5k,10k,6.25k,12.5k,25k
2.Program alphanumeric channels name
3.Self-program
4.Switching between Channel/VFO
5.Frequency Range:136-174,400-470MHZ
6.Output Power:5W(VHF)/4W(UHF)
7.Three different scan type: TO/CO/SE
8.Busy channel lockout
9.Priority Scan Function
10.ANI CODE(PTT ID)

Big Monitor Stand With Trolly
Big Monitor Stand With Trolly

Professional quality LCD and LED stands and trolleys for heavy use. Because these are designed for bigger screens, these are also often used in a home setting. The stand is more suited where the screen likely to be moved on a regular basis.

Monitor Stand
Monitor Stand

material: chrome steel material
load capacity at maximum extension at 6° inclination: 4.41 lbs
color: silver color
column tube diameter: 35.30.25mm tube diameters
stand leg size: ~25mm leg size
closed length: 43.31 in
maximum height: 99.61 in
weight: 10.58 lbs
minimum height: 43.31 in
footprint max diameter: 37.40 in

LED Fresnel light
LED Fresnel light

1.Hight quality Aluminum
2.Remote control
3.Brightness adjustable

Open Phase 2000
Open Phase 2000

Power: 2000W
Voltage: 210~250V
Frequency: 50/60Hz
Color Temperature: 3200K
Weight: 4.5Kg -

Joker Bug 800 W
Joker Bug 800 W

Joker-Bug 800 W Kit is an ideal choice for a core lighting kit. It includes power supply, lamp, and extension cable and head accessories. Just add the optional light stand of your choice to complete this kit.

Joker Bug 400 W
Joker Bug 400 W

Joker-Bug 400W HMI - Kit includes a 400W fixture, lamp, lenses, and head cable extension, power supply, Beamer, Beaker and a hard, wheeled case, suitable for shipping. This unit has been adopted as the choice for Motion Picture Gaffers and cameramen for use with fine daylight interiors, car shots, and two camera interviews where they are most present.

Socom Shoulder Kit
Socom Shoulder Kit

The Socom Video Shoulder Rig Kit is a solid foundation for video shooters looking to start out in 15mm Rail systems. The Socom Video Rig Kit can be configured as a basic lightweight camera stabilizer or configured to a more advanced shoulder rig for supporting LED Lighting, Microphones, LCD Monitors, Portable Audio Recorders, Follow Focus Systems, and more. The rods, clamps, handles, and shoulder pad are based around industry standard 15mm Rod systems which means you can continue to add on optional accessories from P&C or other manufacturers as you advance your build.

Glidecam HD4000
Glidecam HD4000

The Glidecam HD4000 Kit 1 is a lightweight, hand-held camcorder stabilizing system. This system is upgraded from the 4000 Pro and offers a quick release, fine adjustments and an improved gimbal and balance system. This kit features the smooth shooter vest and arm system.

Cartoni Maxima
Cartoni Maxima

The CARTONI MAXIMA is an innovative compact design Fluid Action Head featuring an amazingly smooth patented counterbalance system. The MAXIMA is the ideal support for all fully equipped Film Cameras and sophisticated Broadcast packages. The Maxima controls, knobs and levers, are ergonomically placed to ensure camera operators complete ease-of-use in any situation, whether in the studio, location or during outside broadcasts. The infinately adjustable drag and counterbalance steps are monitored on a digital display. Payload capacity goes from zero (0) to 40 Kg (88lbs) with a perfect balance throughout the entire 180° tilt range. The specifically designed continuous Fluid Drag System performs from almost freewheeling to extremely consistent drag for maximum versatility. The large sliding camera plate is compatible with Arri and O\'Connor slides for increased versatility and ease. Extremely rugged and precise, the MAXIMA is meant to become the ultimate industry standard.

The Manfrotto 509HD Video Head with 545GB Tripod Legs
The Manfrotto 509HD Video Head with 545GB Tripod Legs

The Manfrotto 509HD Video Head with 545GB Tripod Legs, Ground Spreader & Padded Bag offers a complete tripod solution for professional video camera systems weighing up to 29 lb (13.1 kg). A 4-step counterbalance mechanism of the 509HD head ensures optimum balance and helps for quick setup. The tripod head features ergonomic adjustments, easy-link connectors and uses light-weight PVC-free materials in its components. Featuring the Bridging Technology with a ball bearing drag system, the tripod head offers professional-quality stability as well as precise, smooth movements.

A unique Advance Balancing Recorder feature can record the perfect balanced position for your camera equipment so that the position can be recalled later on. This electronic ABR feature reduces the time needed for setting up and balancing your camera system on the tripod head.

The 545GB video tripod legs feature a 2-stage design. Offering a total load capacity up to 55 lb (25 kg), the legs comfortably support the 509HD head and professional camera equipment. Lightweight aluminum construction ensures sturdy built and lightweight (7.7 lb / 3.5 kg) design for a professional video camera tripod. The collars of the tripod legs can be aligned with single tube tripods. The built-in 100mm interface bowl can be adapted to 75mm half-ball heads.

In conjunction with a floor-level spreader, the 545GB tripod legs offer improved stability. The leg section features quick on-off rubber shoes for better grip on smooth floors. A padded bag included in the kit is useful to store as well as carry the 545GB tripod legs with the 509HD head.
Complete tripod solution for professional video camera systems
Comes in a padded bag for storage and transport
509HD Tripod Head
Tripod head for professional video applications
Load capacity up to 29 lb (13.1 kg)
4-step counterbalance mechanism ensures optimum balance and helps for quick setup
Ergonomic adjustments and easy-link connectors
Uses light-weight PVC free materials in its components
Bridging Technology with a ball bearing drag system, the tripod head offers professional quality stability as well as precise, smooth movements
Advance Balancing Recorder (ABR) feature can record the perfect balanced position for your camera equipment so that the position can be recalled later on
ABR reduces camera setting up / balancing time
545GB Aluminum Tripod Legs
2-stage legs
With total load capacity up to 55 lb (25 kg), the legs comfortably support the 509HD head and professional camera equipment
Lightweight aluminum construction ensures sturdy built and lightweight (7.7 lb / 3.5 kg) design for a professional video camera tripod
Collars of the tripod legs can be aligned with single tube tripods
Floor-level spreader holds the legs in place and offers improved stability
Quick on-off rubber shoes for better grip on smooth floors
Built-in 100 mm interface bowl can be adapted to 75 mm half-ball heads

Manfrotto 545GB, 526 Head
Manfrotto 545GB, 526 Head

This kit contains the perfect combination of head and tripod for your video needs. The 526 Professional Fluid Video Head is a feature-packed head. The 526 features a replaceable and removable pan arm rosette so if any damage occurs to the side castings, only a small part needs to be replaced; large rubber padded knobs for better grip and all the controls (tilt and pan lock, tilt drag) are located on the left side so they can be easily found. The 526 offers our most precise fluid drag system comprised of three step settings for low, medium and high drag levels (numbered 1, 2 and 3), plus the additional no-drag setting (number 0) for such occasions as snap-pans/tilts. Counterbalance is achieved through an adjustable spring for camera weights between 17.5 and 33 lbs. The built-in 4-inch half-ball adapts to a number of our tripods with a 4-inch receiver, allowing the quick leveling of the camera with the aid of the bright leveling bubble. The 526 comes with one pan arm and the long 357PLV plate. One of Manfrotto\'s newest video tripods is the 545GB. The new two-stage, twin leg design is constructed from aluminum, making a lightweight yet sturdy tripod . Thanks to improved upper and lower collars, the tripod has greater torsion rigidity and payload. improving the overall shooting performance. The collars have also been redesigned to be aligned with the new range of single tube tripods for quicker and more secure set ups. The die cast aluminum crown features a built-in 100mm interface bowl. The tripod has a floor level spreader for even more stability. Equipped with quick on-off rubber shoes you can use this tripod both outdoors and in with confidence in a good grip on any surface. The Manfrotto 545GB: another professional tool for professional users! Maximum height 68.1-Inch; weight 15.6 lbs; maximum load 35.2 lbs.

Manfrotto 114MV
Manfrotto 114MV

The Manfrotto 114MV is designed for use with tripods with dual spiked feet. This dolly features individually braked 5\" wheels with cable guards and a unique leg-locking system. Doorway clearance needed for the fully assembled Dolly is only 44.1\".
Easy Set-Up
Easy to assemble and disassemble for convenient transport.
Construction Aluminum
Doorway Width 44.1\" 112cm
Folded Length 25.5\" 64.7cm
Wheel Diameter 5.0\" 12.7cm
Wheel Lock, Cable Guards
Weight 13.7 lbs 6.2kg

Sennheiser 2000 ENG
Sennheiser 2000 ENG

The 2000 series is specifically optimized for professional mobile and location recording in video, film, ENG broadcast, sound design and more. Both transmitters and receiver feature a sturdy all-metal housing (including battery door). The ultra-wide 72MHz switching bandwidth provides up to 2,880 frequencies and adaptive diversity technology minimizes drop-out, noise and RF interference, resulting in greater range and frequency stability.

Sennheiser EW100-G2
Sennheiser EW100-G2

The Sennheiser EW100-G2 wireless microphone systems are designed for broadcasters, electronic news gathering (ENG), videographers, and film makers. The portable UHF wireless receiver provides the perfect combination of crystal-clear audio and rugged dependability for providing wireless microphone connections to video cameras and for other applications where a battery operated wireless receiver is required.

Sennheiser EW100-G3
Sennheiser EW100-G3

The Sennheiser EW100-G3 series wireless microphone systems are designed for broadcasters, electronic news gathering (ENG), videographers, and film makers.The portable UHF wireless receiver provides the perfect combination of crystal-clear audio and rugged dependability for providing wireless microphone connections to video cameras and for other applications where a battery operated wireless receiver is required.

Sennheiser EW100-G3
Sennheiser EW100-G3

This ew 100 G3 Wireless Mic System offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter can by synced up to the receiver with the simple push of a button. A very small high-quality directional clip-on microphone completes this set.

Sennheiser EW 135 G3
Sennheiser EW 135 G3

The Sennheiser EW 135 G3 is a complete wireless system for natural vocal pickup. The included SKM 100-835 G3 handheld transmitter features a tight cardioid pickup pattern, so it picks up the vocalist in front of it while avoiding feedback. The Sennheiser EW 135 G3 wireless system also comes with an EM 100 G3 rackmount receiver, which offers 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. No matter the stage or environment, you can trust Sennheiser\'s EW 135 G3 wireless system for accurate vocal reproduction.

Sennheiser G3 112-p
Sennheiser G3 112-p

The Sennheiser ew 112-p G3 Wireless Portable Microphone System is intended for portable wireless operation, such as video and field recording applications. This system includes a camera mountable receiver, bodypack transmitter and MKE1 lavalier microphone. The SK 100 G3 bodypack transmitter and EK 100 G3 receiver synchronize channel and frequency at the touch of a button.

Sennheiser MKE 1
Sennheiser MKE 1

The Sennheiser MKE1 Miniature Lavalier Microphone is their smallest, professional lavalier microphone to date. Measuring just 3.5mm (0.13\") in diameter, the MKE1 is well suited for placement in hair, the body, clothing, accessories, props, etc.
Audio signal is reproduced transparently, while maximum intelligibility of speech and vocals is achieved with its omnidirectional polar pattern and wide frequency response.

Sennheiser MKH 60
Sennheiser MKH 60

The MKH 60 is a lightweight short gun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications.

Sennheiser Mkh 70
Sennheiser Mkh 70

The MKH 70 is a lightweight long shotgun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound colouration from off-axis sound sources.

Shure mx418
Shure mx418

The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs.

Shure PG81
Shure PG81

A sensitive, flat response microphone ideal for acoustic instruments. Flat frequency response is wide and uniform. Consistent sensitivity through frequency range. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.

Shure SM 81
Shure SM 81

The Shure SM81 is a high-quality small diaphragm, cardioid condenser microphone. Its flat, neutral frequency response, make it particularly well-suited for use on acoustic guitar, piano, cymbals and choirs.

Shure SM57
Shure SM57

The Shure SM57 is one of the most popular professional instrument microphones of all time. The dynamic SM57 mic performs reliably delivering natural sound night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. The Shure SM57 boasts wide frequency response (40Hz-15kHz) and a tight cardioid polar pattern that are ideal for close-in speaker miking.

Sennheiser HD 25-II
Sennheiser HD 25-II

The HD 25-1 II headphones from Sennheiser offer great sound quality in a rugged design. Ideal for high-noise environments, the headphones have an adjustable, padded split-style headband and cushioned earcups for great comfort and noise isolation. Large neodymium magnet drivers provide and extra-wide frequency response. If desired, the capsule can be rotated for single-ear monitoring.

Sennheiser HD 280 PRO
Sennheiser HD 280 PRO

The Sennheiser HD 280 Pro Circumaural Closed-Back Monitor Headphones feature a collapsible design with swiveling earcups and extended low end reproduction. Rejection of outside noise is high, rated up to -32dB. Efficient neodymium magnets contribute toward an extended dynamic range and high output. The thick, padded leatherette earcups and adjustable padded headband allow for a precise and comfortable fit during extended periods of studio recording and mixing.

Kino Flo 120 cm
Kino Flo 120 cm

Its design adds flexibility and versatility to the popular 4Bank portable system with the outsized soft light quality you’d expect from a large fixture like the Image 85. It can be hand-held, mounted on a light stand or hoisted from rigging points to work as a cool, energy efficient coop light.

Kino Flo 60 cm
Kino Flo 60 cm

The Kino Flo 4Bank Interview Select 2 Fluorescent Light Kit (120V) has won awards as well as the hearts of lighting artists from around the world. More 4Banks are used in film, photo and video production that any other fluorescent fixture. The 2\' 4Bank delivers soft, cool, flicker-free light like a bounced source. It needs only a little power.

Kino Flo 8 Bank
Kino Flo 8 Bank

Its design adds flexibility and versatility to the popular 4Bank portable system with the outsized soft light quality you’d expect from a large fixture like the Image 85. It can be hand-held, mounted on a light stand or hoisted from rigging points to work as a cool, energy efficient coop light.

Cosmolight 4 Bulb
Cosmolight 4 Bulb

The highly engineered special reflex shape of the optical reflectors is a unique feature of our Brivido which optimizes the performance of luminous flux, delivering the most powerful, brightest, exceptionally even and shadowless illumination in the industry.

12,000 W
12,000 W

For illuminating large areas. The high intensity output of this fixture permits a minimum number of units for the required lighting level. For Television and Film, use the 3200K globes for night lighting and the Dichroic Filter globes for daylight booster. Each bank of four globes swivels for beam control. Six switches control light intensity (two for each bank). Individual globes rotate 360° to orient oval beam to horizontal or vertical. Globes easily changed with snap rings.

Black 120cm x 120cm
Black 120cm x 120cm

Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material. They are used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or to keep light from reaching certain areas on the set.

Black 90cm x 100cm
Black 90cm x 100cm

Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material. They are used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or to keep light from reaching certain areas on the set.

Black 1m X 1m
Black 1m X 1m

Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material. They are used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or to keep light from reaching certain areas on the set.

Black 100cm X 30cm
Black 100cm X 30cm

Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material. They are used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or to keep light from reaching certain areas on the set.

Black 100cm X 20cm
Black 100cm X 20cm

Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material. They are used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or to keep light from reaching certain areas on the set.

Black Net (Seamless) 8 x 8
Black Net (Seamless) 8 x 8

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Black Net Double (Seamless) 8 x 8
Black Net Double (Seamless) 8 x 8

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Full Black 20 x 20
Full Black 20 x 20

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Full Black 12 x 12
Full Black 12 x 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Full Black And Bounce 8 x 8
Full Black And Bounce 8 x 8

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Soft Diffuser 20 x 20
Soft Diffuser 20 x 20

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Scrim Silk White 12 x 12
Scrim Silk White 12 x 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Silk Net (1by2) 12 x 12
Silk Net (1by2) 12 x 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Silver And White 12 x 12
Silver And White 12 x 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Soft Diffuser (1by4) 12 x 12
Soft Diffuser (1by4) 12 x 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Soft Diffuser (1by2) 12 X 12
Soft Diffuser (1by2) 12 X 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Soft Diffuser Net 12 x 12
Soft Diffuser Net 12 x 12

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Silk Single Net 8 x 8
Silk Single Net 8 x 8

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Silver White 8 x 8
Silver White 8 x 8

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

White Bounce 8 x 8
White Bounce 8 x 8

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Diffuser 4 x 4
Diffuser 4 x 4

Unique overhead frame allows you to setup and breakdown within seconds. Precisely engineered, the hinged connection points easily fold to transport the frame from set to set or through doorways without having to remove the fabric. On location the Butterfly Frame Kit can help soften sunlight over an area large enough to cover your talent. In a studio situation, you can soften one large light source or you can turn multiple lights into a single soft light. With this kit, you can make almost any light a flattering light. And if you need a negative fill or black background the Butterfly Frame Kit has you covered. The black solid scrim is made of non-reflective fabric that is perfect for studio product shots or for professional looking portraits.

Butterfly Grip
Butterfly Grip

Heavy duty 3mm square section tubes-slot and pin-lock together, rapidly providing a stable frame for lighting control textiles. By reducing or adding tubes you can create any frame size. Unit Weight: 15.5Kg.

Silver Gold
Silver Gold

Perfect for on location work and the reflector is easy to remove. Diffuse harsh midday sun or use it like a giant soft box by using it to diffuse a flash or studio light. The panel can be used to reflect hard or soft light, depending on your needs. Mount to boom or use over-head. The aluminum frame adds rigidity and makes the Reflector easy to hold and position. With the grip head it can also be mounted to a light stand or boom arm. The reflector can be held over a subject and out of frame - perfect for taming hard sunlight.

Silver Silver
Silver Silver

Perfect for on location work and the reflector is easy to remove. Diffuse harsh midday sun or use it like a giant soft box by using it to diffuse a flash or studio light. The panel can be used to reflect hard or soft light, depending on your needs. Mount to boom or use over-head. The aluminum frame adds rigidity and makes the Reflector easy to hold and position. With the grip head it can also be mounted to a light stand or boom arm. The reflector can be held over a subject and out of frame - perfect for taming hard sunlight.

Silver Mirror
Silver Mirror

Perfect for on location work and the reflector is easy to remove. Diffuse harsh midday sun or use it like a giant soft box by using it to diffuse a flash or studio light. The panel can be used to reflect hard or soft light, depending on your needs. Mount to boom or use over-head. The aluminum frame adds rigidity and makes the Reflector easy to hold and position. With the grip head it can also be mounted to a light stand or boom arm. The reflector can be held over a subject and out of frame - perfect for taming hard sunlight.

Chroma Cloth 12 X 12
Chroma Cloth 12 X 12

Chroma key compositing, or Chroma keying, is a special effects / post-production technique for compositing (layering) two images or video streams together based on color hues (Chroma range). The technique has been used heavily in many fields to remove a background from the subject of a photo or video – particularly the news casting, motion picture and videogame industries. A color range in the top layer is made transparent, revealing another image behind. The chroma keying technique is commonly used in video production and post-production.

White Poly
White Poly

Perfect for on location work. Reflect harsh midday sun or use it like a giant soft box by using it to diffuse a flash or studio light. The panel can be used to reflect hard or soft light, depending on your needs. Mount to boom or use over-head. The clamp adds rigidity and makes the Reflector easy to hold and position. With the grip head it can also be mounted to a light stand or boom arm. The reflector can be held over a subject and out of frame - perfect for sunlight.

Silver Mirror
Silver Mirror

Perfect for on location work. Reflect harsh midday sun or use it like a giant soft box by using it to diffuse a flash or studio light. The panel can be used to reflect hard or soft light, depending on your needs. Mount to boom or use over-head. The clamp adds rigidity and makes the Reflector easy to hold and position. With the grip head it can also be mounted to a light stand or boom arm. The reflector can be held over a subject and out of frame - perfect for sunlight.

Poly Fork
Poly Fork

A Poly Fork enables precise positioning with four pointed pins to mount thicker foam core or gator-board.

CTO
CTO

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Day Light
Day Light

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Paper 216
Paper 216

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Paper 250
Paper 250

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Paper 251
Paper 251

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Paper 252
Paper 252

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Paper 520
Paper 520

The frames are made from aluminum. The frame has a bar which allows you to attach the reflector to a tripod or simply hold it comfortably in your hand. The reflector is perfect for outdoor use. Larger photography reflectors need less precision and can light larger areas or subjects. The aluminum frame makes it easier to hold and position.

Flag Kit Standard
Flag Kit Standard

The portability and small footprint of our flag kits is ideal for shooting on location. Either Flag Kit should fit easily into most lighting kits or can be carried separately in its own stylish lightweight carry bag. These kits are so versatile you will want to take them with you every time you leave the studio. You may also find they work equally well in-studio to fine-tune your lighting patterns.
Full Black 100cm X 60cm
Black Net 100cm X 60cm
Black Double 100cm X 60cm
Silk Net 1/2
Silk Net Full
Small 6inch Rounded Net
Small 6inch Full Black Cutter
Stand For Net (5 Pieces)

Flag Kit Pro
Flag Kit Pro

The portability and small footprint of our flag kits is ideal for shooting on location. Either Flag Kit should fit easily into most lighting kits or can be carried separately in its own stylish lightweight carry bag. These kits are so versatile you will want to take them with you every time you leave the studio. You may also find they work equally well in-studio to fine-tune your lighting patterns.
Silk Net 100cm X 80cm
Black Net 100cm X 80cm (2 pieces)
Black Double Net 100cm X 80 cm
Black Flag 100cm X 80cm
Black Flag 100cm X 10cm (3 Pieces)
Black Flag 70cm X 70cm
Black Flag 50cm X 60cm

BeachTek DXA-SLR
BeachTek DXA-SLR

The BeachTek DXA SLR is a two-channel active XLR adaptor
with built-in preamplifiers and P48 V Phantom power for connecting
professional audio gear to any DSLR camera that has a mic jack.
Exceptionally low noise preamplifiers provide 15 dB of gain for
clean clear audio. Works with virtually any microphone,
wireless device or mixing board.

BSS AR-133
BSS AR-133

The AR-133 Active DI Box from BSS Audio uses an enhanced version of the same audio path As the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device. 
 


Sennheiser SKP 2000
Sennheiser SKP 2000

Practically any wired microphone can be a player in Sennheiser\'s 2000 ensemble. This plug-on transmitter makes it possible. Five frequency ranges with up to 75 MHz switching bandwidth also provide optimum flexibility for all components in the 2000 series. The transmitter settings on SKP 2000 can also be synchronized quickly and easily using infrared technology. Equipped with triple switchable transmission power and phantom powering, SKP 2000 is incredibly versatile.

Rugged metal housing
Up to 72 MHz switching bandwidth
26 fixed frequency bands with up to 64 compatible presets
6 banks each with up to 64 tunable channels
Frequency setting in 25 kHz steps
Pilot tone squelch for interference-free operation
48V switchable phantom powering
Backlit display on transmitter (keystroke activation)
Auto-lock feature to prevent buttons from accidently being pressed
Audio and RF MUTE feature for muting the transmitter can be configured from the receiver menu
Transmitter can be synchronized with the receiver using infrared interface
Wide range of accessories for virtually any use

Snake Cable 50m
Snake Cable 50m

16 In 8 out and 50m long Multicore snake cable is an excellent choice for portable application. You only roll out as much cable as you need, and leave the rest on the drum. Both the fantail and stage box are all XLR. The reel and drum are medium duty and well labelled. High copper purity conductors with double aluminium foil shield and trace wire, which is heavy duty and very flexible. It is good size for in-doors use, however, a little on the small side for rolling across grass or a gravel parking lot. There is a brake mechanism on the drum to set it in place once you\'ll reel out enough cable. It\'s a friction brake, so it doesn\'t lock the drum down hard which is a plus if somebody starts tugging on the cable unaware that the brake is set. There are two brake indents where the brake can be set to lock the drum down solid.

Junction Box
Junction Box

Snake cable with junction box with 16 XLR in, 4 x 0ut (1/4\" return) 50ft. An economical choice for the multi-channel snake system, it is assembled with a junction box that will accept single microphone & line level type cables. All panel mount receptacles are secured to the chassis with screws. The panel is made of strong steel and aluminum.

Manfrotto Magic Arm
Manfrotto Magic Arm

This Manfrotto magic arm is Ideal for mounting a camera or a camcorder exactly where and at the angle you need it (ie. mounted on a truss). One lever locks three pivot points. With a quick release camera plate with secondary safety lock system.

Magic Arm
Magic Arm

This magic arm is Ideal for mounting a camera or a camcorder exactly where and at the angle you need it (ie. mounted on a truss). One lever locks three pivot points. With a quick release camera plate with secondary safety lock system.

Magic Arm
Magic Arm

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Magic Arm
Magic Arm

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C-Stand
C-Stand

C-stands are almost entirely made of metal and are designed to be very tough and sturdy, capable of holding fairly heavy equipment. The shortened term “C-Stand”, which means “Century Stand”, comes from the early days of motion picture production. Back then, filmmakers heavily relied on reflectors to light actors. The most popular one was the 100 inch or “century” sized reflector, so the stand that held this reflector was often referred to as “century stand”.

Dino Stand
Dino Stand

Perfect light stand to take on locations. Folds small and extends to 170 cm. Great for hot shoe flashes, small studio lights especially Dino lights. Extended Height: 170 cm Collapsed Height: 55 cm Thread: 1/4\" Thread Stand Weight: 1.15 kg Supports: 3 kg

Lighting Stand
Lighting Stand

This lighting stand is suitable for the majority of studio flash and continuous lighting systems. These stands are manufactured from high-grade aluminum with strong nylon reinforced collars and thumbscrews. All stands are air-cushioned to give maximum protection to the lighting units fitted onto them. Max height is 229cm, min height 70cm and it weighs 1.57Kg.

Swit (S-8972) Battery
Swit (S-8972) Battery

Intelligent Li-ion battery with multiple protective circuit design, compatible with SONY HDV cameras. As an updated product of S-8970, the S-8972 has additional four-level remaining power indicator and a 7.2V DC output socket to power the camera and light simultaneously.
Applicable Camera-SONY DSR-PD190P; SONY HVR-Z1E
Voltage- 7.2V
Capacity- 47.5Wh
Dimension-70.5x 38.5 x 70mm
Weight-0.3Kg

Li-ion Battery For Sony Cam
Li-ion Battery For Sony Cam

14.4v 5200mah 74.9wh. The battery offers a 5V/1A USB socket for mobile devices (cell phone etc) charging. The 4-level LED indicator can give you a quick view of remaining power before using, and the strong housing, intelligent circuit will protect the battery from shocking, abnormal current, voltage and temperature.

HD Cable
HD Cable

100% Foil + Braid Shield - dual layer shieldng for exceptional broadband RF/EMI rejection
Choice of Kings, ADC or Neutrik BNC connectors
Connectors meet or exceeds SMPTE 292M and 424M standards for HD/SDI

BNC Cable
BNC Cable

Reduced weight and extended distances. Supports point to point connections for any application requiring composite video. Typical applications include live video for ENG and sports events, house of worship, digital signage, classroom training, boardroom systems and video kiosks. Each Video Cable on a Reel offers the best value in the industry when compared to full size reels. This Reel allows a single video signal to be transmitted via cost-effective unshielded twisted pair (UTP) cable for composite video & CCTV applications. Video Bandwidth is DC to 8 MHz via BNC connectors and is designed with today’s most proven technologies.

HDMI 30 meters
HDMI 30 meters

Today\'s LCD and plasma TVs require the highest quality cable. Our HDMI cables allow you to maximize your quality of your systems. The HDMI cables are backward compatible.
Maximum Image Size 1440p/120Hz
8 audio formats PCM, Dolby Digital, DTS, MPEG, DVD-Audio, SACD, Dolby Digital Plus, TrueHD and DTS-HD
Maximum Bandwidth 10.2 GB / s, 340 MHz
Color space 24 bit RGB/36 Bit YUV, Deep Color 30, 36 and 48-bit RGB / YUV, xvYCC-Color space (IEC 61966-2-4)
Connector type Type A
Shielding multiple shielding (foil and braid)
Gold-plated contacts
Insulation resistance> = 20 Mega ohms
Contact resistance = <5 ohms

HDMI 25 meters
HDMI 25 meters

Today\'s LCD and plasma TVs require the highest quality cable. Our HDMI cables allow you to maximize your quality of your systems. The HDMI cables are backward compatible.
Maximum Image Size 1440p/120Hz
8 audio formats PCM, Dolby Digital, DTS, MPEG, DVD-Audio, SACD, Dolby Digital Plus, TrueHD and DTS-HD
Maximum Bandwidth 10.2 GB / s, 340 MHz
Color space 24 bit RGB/36 Bit YUV, Deep Color 30, 36 and 48-bit RGB / YUV, xvYCC-Color space (IEC 61966-2-4)
Connector type Type A
Shielding multiple shielding (foil and braid)
Gold-plated contacts
Insulation resistance> = 20 Mega ohms
Contact resistance = <5 ohms

13amp -16amp
13amp -16amp

If you are going to be testing equipment and heavy plant equipment indoor it is more than likely you’ll need a 240v UK 13 Amp Plug to 240v (16 Amp) 3 Pin Socket Adaptor Lead to test table saws, power planers and heavy duty indoor drills.
This plug to socket adaptor comes with a blue ended cap. Blue caps are on all our 240v plugs to 240v sockets to make it easier for you to pick out of a bunch of colour cables.

13 Amp Single Phase
13 Amp Single Phase

16Amp to 13Amp
16Amp to 13Amp

Ideal for Caravans and Mobile Homes
• Durable and Easy to Use
• Colour: Black/White
• Power Input: 230 V ~
• Total Load (A): 13
• Rated Voltage (V): 230

16Amp to 32Amp
16Amp to 32Amp

This very handy adapter allows connection of 16amp 240v/230v single phase plug to a 32amp 240v/230v single phase socket. This adapter can then be plugged into a standard mains extension lead used for your desired power unit. This is great for plugging into electricity supplies on site which have a 32 amp outlet. It is worth keeping one of these adapters in your mobile unit so that you can always access power at an event.

32Amp to 16Amp Splitter (3 Phase)
32Amp to 16Amp Splitter (3 Phase)

240v Power Splitter 32A single to 2 x 16A sockets Ideal for Generators, Caravans

16Amp to 13 Amp (4 Socket)
16Amp to 13 Amp (4 Socket)

Plug to trailing 4 gang 3 pin sockets. Connect to power source. It is Ideal for camps and caravan sites. Mains socket adaptor.

125Amp 10m (3 Phase)
125Amp 10m (3 Phase)

125 Amp 3 phase cable provide a connection to the electrical mains rated at higher voltages and currents than household plugs and sockets. They are generally used in polyphase systems, with high currents, or when protection from environmental hazards is required. Outlets may have weatherproof covers, waterproofing sleeves, or interlocked with a switch to prevent accidental disconnection of an energized plug. The cable is 10 meters long.

63Amp Extension
63Amp Extension

These cables are designed to provide high flexibility and have the capacity to withstand weather, oils/greases, mechanical and thermal stresses. Applications include handling equipment, mobile power supplies, building site power, stage event and audio visual equipment Etc. also for use in drainage and water treatment, cold environments and severe industrial environments. For a cable to do the hard work under these conditions it needs to be robust, flexible, and resistant to sunlight, cold and excessive trampling.

63Amp 50m (3 phase)
63Amp 50m (3 phase)

63 Amp 3-Phase Connectors - Used to carry large amounts of power down one cable, 63 three-phase \'heavy power\' cables have heavy duty top rated connectors and is 50 meters long.

63Amp 20m (3 phase)
63Amp 20m (3 phase)

63 Amp 3-Phase Connectors - Used to carry large amounts of power down one cable, 63 three-phase \'heavy power\' cables have heavy duty top rated connectors and is 20 meters long.

13Amp Power Extinsion
13Amp Power Extinsion

13Amp Power Extension provides power in a multi-purpose unit, suitable for use in both the home and heavy use. It is fully compliant with the latest British Standards and Electrical Equipment Safety Regulations. Ideal Indoor and outdoor power use. 4 Sockets, 13 amps, Black/White.

Sandbag
Sandbag

Blackmagic Design Mini Converter Analog to SDI
Blackmagic Design Mini Converter Analog to SDI

The Mini Converter Analog to SDI from Blackmagic will accept an HD/SD component, NTSC, PAL, or S-video signal and convert it to an SDI output. You can also choose to embed SDI audio from balanced AES/EBU or analog audio inputs. Use this device to convert video from Betacam SP, VHS, set-top boxes, HDV cameras, and other similar devices.

Blackmagic Design Mini Converter HDMI to SDI 4K
Blackmagic Design Mini Converter HDMI to SDI 4K

The Mini Converter HDMI to SDI 4K from Blackmagic Design allows you to convert HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160). This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.

Blackmagic Design Mini Converter SDI to Analog 4K
Blackmagic Design Mini Converter SDI to Analog 4K

The Mini Converter SDI to Analog 4K from Blackmagic Design allows you to convert Single Link SD/HD/3G/6G-SDI to analog SD/HD component, composite, or S-Video. The down-converter lets you to connect professional SDI equipment which outputs resolutions up to Ultra HD 4K (3840 x 2160) and DCI 4K (4096 x 2160) with SD and HD analog video monitors and other equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post production, and professional AV applications.

Infrared 77
Infrared 77

The Hoya 77mm R72 Infrared Filter is a specialized filter used for infrared photography with digital cameras and specialized infrared film. This nearly opaque filter blocks all visible light up to 720nm, enabling recording of subject matter and scenes that are not visible under normal conditions. Due to the nature of infrared photography, the filter factor for this filter is highly variable and depends largely on the ISO sensitivity in use and lighting conditions.

This filter is constructed from high-quality optical glass and is set in an aluminum filter ring to provide increased rigidity and prevention from filter jamming.

ND 4 - 82
ND 4 - 82

Neutral Density filters enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the film. Neutral density filters are available in 1, 2, 3, or 4 stops to suit individual situations. Determining which neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Speaking generally, the 2-stop value (ND 0.6) effectively compensates average situations.

ND 4 - 67
ND 4 - 67

The Hoya 82mm Neutral Density (NDX8) 0.9 Filter has several uses and offers the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film. They have no effect on color balance.
Multi-coated to minimize reflection at the filter surfaces which reduces flare and ghosting.

ND 4 - 72
ND 4 - 72

The Hoya 72mm Neutral Density (NDX4) 0.6 Filter has several uses and offers the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film. They have no effect on color balance.
Multi-coated to minimize reflection at the filter surfaces which reduces flare and ghosting.

ND 8 - 77
ND 8 - 77

ND 8 - 82
ND 8 - 82

The Hoya 82mm Neutral Density (NDX8) 0.9 Filter has several uses and offers the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film. They have no effect on color balance.
Multi-coated to minimize reflection at the filter surfaces which reduces flare and ghosting.

ND 8 -72
ND 8 -72

Polarized 77
Polarized 77

The Singh-Ray 77mm Vari-N-Duo Polarizing Variable Neutral Density Filter gives you the incredible benefits of two filters in one. With this unique glass filter, you can not only slow down the action but add in the effects of a warming polarizer.
Heretofore, when photographers wanted to create this effect, they had to \"stack\" filters on the lens - a sure ticket to vignetting. Now, this all-in-one system permits you to carry one filter to achieve the desired results. Please note that Singh-Ray thin mount filters do not have a front thread.
Additionally - the design of the Vari-N-Duo Filter may introduce irregularities when used with very wide angle lenses, especially on full-frame cameras. Adjust your focal length and reduce the filter density setting until the irregularities disappear.

UV - 72
UV - 72

The 72mm Ultraviolet UV(0) Haze HD (High Density) Filter from Hoya is a wise initial investment. It helps protect your valuable investment from dust, moisture and scratches, which can lead to costly repairs.
This filter, with its hardened glass, has 4x the tensile strength of traditional filters of similar fabrication. This filter is also of great use in today\'s digital market where sensors are more sensitive to reflected light. Hoya incorporates special coatings that reduce these internal reflections and, thereby, promote a clearer, brighter and sharper image. The multi-coating used in this filter is made up of 8 layers on each side that promote 99.35% light transmission.

UV - 77
UV - 77

The 77mm Ultraviolet UV(0) Haze HD (High Density) Filter from Hoya is a wise initial investment. It helps protect your valuable investment from dust, moisture and scratches, which can lead to costly repairs.
This filter, with its hardened glass, has 4x the tensile strength of traditional filters of similar fabrication. This filter is also of great use in today\'s digital market where sensors are more sensitive to reflected light. Hoya incorporates special coatings that reduce these internal reflections and, thereby, promote a clearer, brighter and sharper image. The multi-coating used in this filter is made up of 8 layers on each side that promote 99.35% light transmission.

ND 4 - 77
ND 4 - 77

Neutral Density filters enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the film. Neutral density filters are available in 1, 2, 3, or 4 stops to suit individual situations. Determining which neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Speaking generally, the 2-stop value (ND 0.6) effectively compensates average situations.

Polarized 82
Polarized 82

A Solid Neutral Density 0.6 (2-stop) Filter from Tiffen has several uses and offers the possibility to achieve otherwise unachievable results. It enables the shooter to adjust exposure without affecting color balance. An ND filter appears gray and reduces the amount of light reaching either the sensor of a digital camera or the film plane of a traditional film camera.

HD 0.3 SE
HD 0.3 SE

HD 0.3 SE Glass Filter enables the shooter to adjust exposure without affecting color balance.

HD 0.3 STD
HD 0.3 STD

HD 0.3 STD has several uses and offers the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the lens.

HD 0.6 GRID SE
HD 0.6 GRID SE

HD 0.6 GRID SE has several uses and offers the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the lens.

HD 0.6 STD
HD 0.6 STD

HD 0.6 STD has several uses and offers the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the lens.

HD 0.9 SE
HD 0.9 SE

HD 0.9 SE has several uses and offers the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the lens.

HD 0.9 STD
HD 0.9 STD

HD 0.9 STD has several uses and offers the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the lens.

ND Polarized
ND Polarized

Polarizing filters are used to manage light at wavelength scale, and if magnified could be a likened to a series of microscopic slats. In use, as the filter is rotated, it either transmits or blocks the waves of light that are vibrating in particular orientations. When light from the sun bounces off a flat non metallic surface, such as glass or water, it becomes polarized - i.e. all of the reflected light waves vibrate in the same plane. This reflected glare can be removed by the polarising filter.

Super Mist Black
Super Mist Black

The purpose of these filters is to soften but not flatten your image too much. The Super Mist Black works very much like the Fogal Net in the way that it blooms the highlights but without losing contrast. It is very easy to cut through the filter and or the net to get that contrast back.

Super Mist Black 1by4
Super Mist Black 1by4

Super Mist Black 1/4 has several uses and offers the possibility to achieve otherwise unachievable results. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the lens.

Movcam mattebox
Movcam mattebox

The mattebox features 16:9 carbon fiber housing, a french flag, side wings, and two 4 x 5.65\\\" filter holders. One of the filter holders is fixed and the other is rotating, facilitating adjustment of polarizers and other types of filters. It also features Ø 144mm rear opening, 144:114mm rubber bellows, and a 50:85mm lens diameter stretch ring.

Manfrotto 561BHDV-1 Fluid Video Monopod & Head
Manfrotto 561BHDV-1 Fluid Video Monopod & Head

Manfrotto\\\'s 561BHDV-1 Fluid Video Monopod and Head will take you somewhere you might never have been: more than 6 feet off the ground with a monopod. The maximum height of 6.56\\\' (200 cm), minimum height of 2.5\\\' (76.5 cm), and included compact, lightweight fluid head of this 4-section aluminum monopod give you versatility to spare. The head has a long sliding plate, and the ergonomic pan-bar provides smooth panning and tilting. Three mini supports at the base bring added stability. This monopod and head were designed specifically for light prosumer and professional compact HD camcorders plus lightweight spotting scopes (up to 8.8 lbs).

Zacuto Z-Finder
Zacuto Z-Finder

The Z-Finder Pro 3.0x for 3.2\" Screens from Zacuto is an optical viewfinder that videographers may find necessary for shooting sharp, stable video on DSLR cameras like the Canon 5D MkIII, Nikon D800, or others with the same size LCD display. Whether shooting handheld or on a tripod, the Z-Finder Pro turns your camera\'s 3.2\" LCD screen into a clear, easy-to-focus viewfinder that lets you see your image in magnified detail, even under the brightest sunlight. Just as crucially, the Z-Finder Pro provides an extra degree of handling comfort and a crucial point of contact--between camera and eye--that adds stability to any handheld video.

Syrp Genie
Syrp Genie

Chances are, if you have a DSLR, or even a mid-range compact camera, that you\'ve at least flirted with time-lapse photography in your time. But you might have thought that those breath-taking panning and tracking time-lapse shots now de rigeur in natural history filmmaking were beyond reach due to the expense of the gear required to achieve them. By the Genie, a small box of tricks that put these capabilities in the hands of amateur and professional photographers.

Foton Sholder Kit
Foton Sholder Kit

The Foton shoulder support designed for both camcorders and digital SLR cameras which have a video capability. It stabilizes your camera in both horizontal and vertical axis reducing unwanted vibration. Ball head lets you position the angle of the camera. Quick release plate helps easy and quick attachment and removal of your camera from the support. It is made from lightweight aluminum alloys and plastic. Shoulder support arms are covered with smooth rubber material. There is mounting point for additional accessories.

Twister Dolly
Twister Dolly

Varrio Jib S Panther
Varrio Jib S Panther

The Vario Jib S is a little version of the lovely Panther Vario Jib. Telescopic arms on both sides make the Vario Jib a universal piece of equipment for many shots.

Portable metal weight
Portable metal weight

Portable metal weights for on location. Designed to secure and balance your stands, Jibs, trollies and other vulnerable upright equipment in the studio or on location. Cameraman/Director may need them any time on the location.

Wooden box - Large
Wooden box - Large

Wooden boxes that can be used to stand on, set things on, and generally alter the elevation of anything on set. Makes the Movie magic it’s finest.

Wooden box - Medium
Wooden box - Medium

Wooden boxes that can be used to stand on, set things on, and generally alter the elevation of anything on set. Makes the Movie magic it’s finest.

Wooden box - Small
Wooden box - Small

Wooden boxes that can be used to stand on, set things on, and generally alter the elevation of anything on set. Makes the Movie magic it’s finest.

Lexar USB 3 Dual Slot
Lexar USB 3 Dual Slot

Cartoni Master
Cartoni Master

Cartoni Maxima
Cartoni Maxima

Canon 14mm f2.8
Canon 14mm f2.8

Canon 8-15mm
Canon 8-15mm

Mark 2 405 Pro
Mark 2 405 Pro

Speed and digital precision are paramount in the latest 405 Pro Digital Geared Head, the 405 provides ideal support and fast, pinpoint positioning for professional medium format cameras with conventional or digital backs. The 405 Pro Digital Geared Head was designed specifically to meet the more exacting, time-sensitive needs of busy professional digital photographers who shoot with medium format or 35 mm camera/back with payloads up to 7.5 Kg. It utilizes large, easy-to-grip knobs that provide smooth, positive, geared control through 360° pan and +90° -30° frontal and lateral tilt. In addition to its 3-D geared functions, the 405 also incorporates a unique feature that allows you to instantly disengage the gears and rough position the camera by hand, then instantly reengage them for ultra-precise final alignment. Patented.

C300 M2
C300 M2

Super 35mm CMOS Sensor
4K,1920x1080 60/50i, 23.98/25p True 24p
Canon XF AVC H.264 Codec
EF Lens Mount
Dual Pixel CMOS AF Technology
Rotating 4" LCD Monitor
2 x 3G-SDI Output, 2x XLR Inputs
2 x CFast Card Slots
Timecode I/O, Genlock In & Sync Out
Canon Log 3 Gamma

FOR-A HVS-300
FOR-A HVS-300

The HVS-300HS 1M/E HANABI HD/SD Portable Video Switcher from FORA is a 1U switcher that offers HD/SD-SDI inputs and outputs. This model of the switcher refers to the combination of the HVS-300MU mains unit and a separate HVS-30OU operating unit. The mains unit is controlled with the separate desktop controller, although other control options are available.

Philips 55PFL6606H/12
Philips 55PFL6606H/12

Pixel Plus HD, 100Hz Full HD LCD display 1920x1080p resolution, 2 ms, HD Natural Motion, Incredible Surround, 20W RMS audio output, Clear Sound, DVB-T / C MPEG4, USB, 3 HDMI inputs, VGA in , USB port for playback of multimedia controls easily accessible touch .

Gesan 110 KV
Gesan 110 KV

JBL EON 515
JBL EON 515

The EON 515XT was engineered for durability, high performance and ease of use. We’ve extended the reach of the current EON technology by improving input sensitivity, lowering the noise floor, adding user selectable EQ control and re-voicing the system for peak performance and enhanced audio precision. The intuitive onboard 3-channel mixer with adjustable EQ assures that you’re in control of the sound and the sturdy construction and superior ergonomic design will guarantee a lifetime of reliability and simplicity.

HMI 6K
HMI 6K

This is a B&H Kit centered on the Arri 6000 Watt HMI Fresnel and Electronic Ballast. Where Fresnel spotlights with daylight characteristics with compact size, high efficiency and lightweight is required, the ARRI COMPACT Daylight Fresnels are the preferred choice. ARRIS\\\'s elegant modular construction, using corrosion free aluminum extrusions and light weight die castings, offers great structural strength and weather resistance. Together with ARRI flicker free, Electronic Ballast with A.L.F., the rugged COMPACT range is the ideal choice for all locations. This kit includes a 50\\\' head-to-ballast cable, color frame for gels, and a 4 leaf barndoor set.

Tungsten 2K
Tungsten 2K

FD-W2000 (Tungsten Filament Spot Light)
Power: 2000W
Voltage: 220V
Frequency: 50Hz
Color Temperature: 3200K
Weight: 6.25kg

1000 W
1000 W

It is of small size and light weight,easy to carry
10-100% dimmable,flicker-free
It produces bright,soft and even light.It is widely used in telestudio,film studio etc.
LED QTY:900PCS
Dimension:30*30*4CM
Weight:1.65KG Voltage:DC12V

Gobo Stand
Gobo Stand

Big Gaffer Clamp
Big Gaffer Clamp

This multi-use clamp can put small light fixtures virtually anywhere that the adjustable jaw can clamp over. The jaw is equipped with rubber gripper pads that not only protect the surface being clamped but also provide greater gripping ability. Because the jaw opening is adjustable, the clamp can be gripped according to the need.

FC-AN Charger (4 Channel)
FC-AN Charger (4 Channel)

Farseeing FC-AN 4 channel charger is specially designed for professional Gold Mount Li-ion camera battery. It features advanced technique, high cost-effectiveness and convenient operation, is an ideal selection for TV station, movie center, organization newsman and any other broadcasting and video camera users.
Input: AC 90~240V, 47~63Hz
Charger Output: DC 16.8V 3A x 4
Adapter Output: DC 15V 4.5A
Dimension: 180Hx 250(W) x 115(D) mm
Weight: 2.6kg
Working Temperature: -25 ~ 50

U Bangi Slider
U Bangi Slider

With the new 360° Rotary Adapter, long adjusting time is a thing of the past. Adjusting the range is as easy as never before, because the Slider can be easily moved and fixed with the Rotating Adapter.
Due to the precision bearing, a soundless 360° rotation, even when load, is possible with ease. A strong brake lever provides a solid fixation of the whole unit, wherever needed.

2-Rung Stepladder
2-Rung Stepladder

This 2-Rung Stepladder is lightweight and strong.
Material: Aluminium.
Colour: Silver.
Features: Secure slip-resistant rungs.
Usage: For standard use.
Number of rungs: 2
Maximum weight supported: 95kg.

Sony SxS 128GB
Sony SxS 128GB

Soundcraft Vi1
Soundcraft Vi1

A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. As standard, Input to mix capacity is 46chs, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction busses, plus LR and Mono Mix busses.
Up to 8 of the busses can be configured as Matrix mixes, each with up to 16 sources.

The surface is just over a metre wide, and includes 16 motorised channel faders with fixed and user-definable layers, 8 output/VCA faders and 2 master faders.

What\'s really cool about the Vi1 though, is the new Widescreen Vistonics interface, which will be instantly familiar to anyone who\'s driven a Vi6 or Vi4, as well as retaining the same \'walk-up\' user-friendliness of the other Vi consoles. This new development displays all parameters for 16 channels side by side, on a single 22\" Vistonics touch screen. The upper half of the screen handles the Output section control as well as Cue List or Menu displays. Parameter control is via two rows of 16 rotary encoders. Exactly the same channel functionality as the Vi6 and Vi4 is available here, along with all the same core snapshot, talkback and monitoring facilities.

Naturally, the Vi1 inherits many of the facilities of its larger siblings, including Soundcraft FaderGlow™, 4 stereo Lexicon effects engines, BSS Audio graphic EQs on all output busses, and integral dynamics on all channels. The desk is also compatible with Vi2, 4 and 6 show files.

Canon EOS 5DS R DSLR
Canon EOS 5DS R DSLR

50.6MP Full-Frame CMOS Sensor
Dual DIGIC 6 Image Processors
Low-Pass Filter Effect Cancellation
3.2 inch 1.04m-Dot ClearView II LCD Monitor
Full HD 1080p Video Recording at 30 fps
61-Point High Density Reticular AF
ISO 100-6400; 5 fps Continuous Shooting
150,000-Pixel RGB+IR Metering Sensor
User-Selectable Shutter Release Time Lag
Anti-Flicker Compensation

Sony Alpha a7S II Mirrorless Digital Camera
Sony Alpha a7S II Mirrorless Digital Camera

12.2MP Full-Frame Exmor CMOS Sensor
BIONZ X Image Processor
Internal UHD 4K30 & 1080p120 Recording
S-Log3 Gamma and Display Assist Function
5-Axis SteadyShot INSIDE Stabilization
0.5 inch 2.36m-Dot XGA OLED Tru-Finder EVF
3.0 inch 1,228,800-Dot Tilting LCD Monitor
Up to 5 fps Shooting and ISO 409600
Fast Intelligent AF, 169 AF Points
Built-In Wi-Fi with NFC

Canon 5D Mark III
Canon 5D Mark III

The Canon EOS 5D Mark III is a professional full-frame digital single-lens reflex (DSLR) camera made by Canon. It has a 22.3 megapixel CMOS image sensor.
the EOS 5D Mark III is designed to perform. Special optical technologies like the 61-Point High Density Reticular AF and an extended ISO range of 100–25600 (expandable to 50 (L), 51200 (H1) and 102400 (H2) make the EOS 5D Mark III ideal for shooting weddings in the studio or out in the field, and great for still photography. Advanced professional-level high definition video capabilities (that includes a host of industry-standard recording protocols and enhanced performance) make it possible to capture beautiful cinematic movies in EOS HD quality. A newly designed 22.3 Megapixel full-frame Canon CMOS sensor, Canon DIGIC 5+ Image Processor, and shooting performance up to 6.0 fps provide exceptional clarity and sharpness, even when capturing rapidly-unfolding scenes. Additional technological advancements include an Intelligent Viewfinder, Canon\\\'s advanced iFCL metering system, High Dynamic Range (HDR), and Multiple Exposure mode-all of which that help make the EOS 5D Mark III the perfect multimedia tool.

CANON UHD-DIGISUPER 90
CANON UHD-DIGISUPER 90

Product Category
Field Lens
Product Series
UHD-DIGISUPER 90 (UJ90x9B)


Image Composition
Object Image Format
2/3 inch
Aspect Ratio
16:9
Zoom Ratio
90X
Focal Length Range
9 ~ 810mm
Focal Length Range with Extender
18 ~ 1620mm (with 2x Extender)
Angular Field of View
56.1° × 33.4° at 9mm
0.68° × 0.38° at 810mm
Angular Field of View with Extender
29.9° × 17.1° at 18mm (with 2x Extender)
0.34° × 0.19° at 1620mm (with 2x Extender)


Optical Brightness
Maximum Relative Aperture (F-Number)
1:2.4 at 9 ~ 486mm
1:4.0 at 810mm
Maximum Relative Aperture (F-Number) with Extender
1:4.8 at 18 ~ 972mm (with 2x Extender)
1:8.0 at 1620mm (with 2x Extender)


Scene Composition
MOD From Front of Lens
3.0 Meter
Scene Object Dimensions at MOD
287.9 × 161.9cm at 9mm
3.3 × 1.9cm at 810mm
Scene Object Dimensions at MOD with Extender
144.0 × 81.0cm at 18mm (with 2x Extender)
1.7 × 1.0cm at 1620mm (with 2x Extender)


Physical Attributes
Width
9.9in (250.6mm)
Height
10.1in (255.5mm)
Length
24in (610mm)
Weight
51.2 lbs (23.2kg)

Yamaha DM1000 V2
Yamaha DM1000 V2

Although it is a compact rack-mount size console, the DM1000 offers generous mixing capacity with up to 48 simultaneous inputs. All 48 input channels include four-band parametric EQ, gating, compression/limiting, and up to 453 milliseconds of delay with variable feedback. What\'s more, all of this functionality is available at 96 kHz. The output section also offers plenty of versatility with 20 buses: 8 group buses, 8 auxiliary buses, and the main stereo bus. Group buses 1 through 8 also function as surround buses, and a Bus to Stereo function allows sound-reinforcement type sub-mixing as well as easy down mixing of 6.1, 5.1, or 3-1 surround to stereo. The 8 auxiliary buses can be used as surround effect sends, and there\'s a \"Fix\" function that automatically sets the auxiliary buses to nominal (0 dB) level, so they can be used as additional group buses.

FOR-A HVS-110
FOR-A HVS-110

The HVS-110 is one of the newest addition to FOR-A’s Hanabi series of portable video switchers. This mixer inherits and improves upon the diverse functions and features of the popular HVS-300HS, including mixed HD/SD input, frame synchronizing, re-sizing engine, 2.5D wipe effects, DVE, Chroma keyer and DSK. The HVS-110 also has a built-in Web server that lets you change settings from a PC or a tablet. A clip memory feature has been added to the still store to support playback of video or animations and enhances productions through the use of CG wipes, while the multi-viewer meets a diverse range of monitoring needs. The equipment can be used in all types of locations, including live events, sports, news studios, OB vans, editorial offices and presentation venues, making it the ideal tool for shaping the imaginative ideas of video creators.

Sony 21 inch (LMD-2050W)
Sony 21 inch (LMD-2050W)

The LMD-2050W is an elegant 20-inch widescreen LCD monitor designed for demanding broadcast and professional applications. Redefining high performance in the mid-market sector, the new model incorporates an enhanced resolution 1680x1050 WSXGA+ LCD panel, displaying high brightness and contrast images together with a superior viewing angle of 178 degrees. The LMD-2050W offers highly accurate and consistent colour reproduction through its unique Sony Chroma TRU technology. This allows assured picture quality decisions as well as facilitating close colour matching.

KOSHIN GE-7200XS
KOSHIN GE-7200XS

KOSHIN Generators GE-7200XS Fitted with AVR Featuring High Durability YAMAHA Engine, Made in Japan. ENGINE Type: Single Cylinder, Forced Air-cooled 4-stroke Gasoline Engine, Output: Max. Power - 8.8kW (12.0 PS) / 4000rpm, Fuel Tank Capacity: 25l, Operating hours: 9 hours, Sound level: 72 db (A) / 7m, starting method: Electric starts / recoil, Max. (50Hz): 6.1 KVA, Rated voltage: AC 230V, DC Output: 12V / 8.3A, weight: 93kg, Dimensions LxWxH: 705x555x570mm.

JBL PRX 615
JBL PRX 615

If you\'re looking for an active loudspeaker that can fill multiple roles, you\'ll want to pick up a JBL PRX615M or two. These excellent-sounding 1,000-watt, 2-way speakers are excellent mains for small to mid-sized gigs. For larger-scale setups, you can lay PRX615Ms on their sides and switch them from Full Range to Monitor mode, and they\'ll make wonderful active monitoring wedges. As with the rest of JBL\'s PRX600 series, the 15\" PRX615M loudspeaker features highly efficient Class D technology and advanced cabinet design. When you need to tackle the sound reinforcement challenges that plague almost any live sound environment - high ambient-noise levels, poor sound diffusion, and loud stage volumes - JBL\'s PRX600 series loudspeakers give you the tools you need to go beyond the quality your audience will expect. Lighter cabinets (only 43.5 lbs. for the 1,000-watt PRX615M!) make loading and unloading easier than before, and tour-tested rugged designs won\'t let you down when your sound matters most.

HMI 2.5
HMI 2.5

The HMI 2.5 is a location work horse. Whenever you need to punch light through a silk or bounce light off a reflective surface, a HMI 2.5 is the ultimate answer. The 40/25 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture. A wide range of converter lenses ensure maximum beam control in all situations.

Tungsten 1K
Tungsten 1K

FD-W1000 (Tungsten Filament Spot Light)
Power: 1000W
Voltage: 220V
Frequency: 50Hz
Color Temperature: 3200K
Weight: 4kg

500 W
500 W

500W Led Light
Full Dimming Control
Mounting Yoke
V-Mount Battery
External 12 VDC Input
Adjustable & Removable Barndoors
Uses Only 60W of Energy
Weight: 4 lbs without barndoors and yoke
500W DC Plug, Battery FD-BP(V Lock)

Gobo Stand
Gobo Stand

Gaffer Clamp Spring Type
Gaffer Clamp Spring Type

Gaffer Clamp Spring Type: 25mm to 65mm. Spring Clamps will hold on to sheet metal, wood panels, pipes/tubes/risers and hold lightweight accessories or camera flashes Background Supports & Accessories.

CF700X UDMA6 (128GB)
CF700X UDMA6 (128GB)

The Delkin CF 700X memory card is designed to excel in DSLR cameras and advanced camcorders that require faster speeds and performance. With capabilities to write data at speeds over 67MB/s, the CF 700X series supports slow motion recording for professional film-making and promises not to drop frames or slow your cameras buffer, even in the most demanding shooting or recording scenarios.

FC-BP Charger (4 Channel)
FC-BP Charger (4 Channel)

Farseeing FC-BP 4 channel charger is specially designed for professional V-lock Li-ion camera battery. It features advanced technique, high cost-effectiveness and convenient operation, is an ideal selection for TV station, movie center, organization newsman and any other broadcasting and video camera users.
Input: AC 90~240V, 47~63Hz
Charger Output: DC 16.8V 3A x 4
Adapter Output: DC 15V 4.5A
Dimension: 180Hx 250(W) x 115(D) mm
Weight: 2.6kg
Working Temperature: -25 ~ 50

Glidetrack Aero SD Pro Camera Slider & Track
Glidetrack Aero SD Pro Camera Slider & Track

The Glidetrack Aero SD Pro Camera Slider & Track is a precision engineered camera slider that is suited to shooters using DSLRs. It includes the Glidetrack Aero SD Pro Carriage, and a 39\\\" long slider rail/track suited for creating medium length slider moves. The slider carriage is CNC machined out of a single piece of billet aluminum. It features a 3/8\\\"-16 mounting stud for available flat base tripod heads. The carriage rides on custom made rail/track wheels with precision bearings with micro adjustable cams and incorporates an adjustable friction brake.

HDC-3300 Slow Motion
HDC-3300 Slow Motion

3-chip 2/3- inch type CCD
1920 x 1080 images: 1080/180i (59.94i), 1080/150i (50i)
1280 x 720 images: 720/180p (59.94p), 720/150p (50p)
F8(1080/180i)/F9(1080/150i) at 2000 lx
x1: -56 dB/-64 dB (at NS MAX mode), x3: -52 dB/-60 dB (at NS MAX mode)
1000 TV lines (at center) at 1080/180i mode
F1.4 prism

Canon 5D Mark II
Canon 5D Mark II

The Canon EOS 5D Mark II is a 21.1-megapixel full-frame CMOS digital single-lens reflex camera made by Canon, the first Canon EOS camera to have video recording capabilities

The EOS 5D Mark II is capable of video recording in low-light situations and it is sold for a relatively low price, compared with professional video cameras. For the first eighteen months of its release, the camera only had a 30 frame per second (30p) video mode. On 15 March 2010, Canon released a firmware upgrade to add a 25p mode for PAL format compatibility and a24p mode for compatibility with motion picture film cameras.

FUJI UA107x8.4
FUJI UA107x8.4

Camera Format
2/3″
Focal Length
1 ×
8.4 - 900 mm
2 ×
16.8 - 1800 mm
Zoom Range
107 ×
Extender
2 ×
Maximum Relative Aperture
1 : 1.7 (8.4 - 340 mm)
1 : 4.5 (900 mm)


M.O.D. from the Front of the Lens
3.05 m
Object dimensions at M.O.D.
16 : 9 Aspect ratio
1 ×
8.4 mm 3053 × 1717 mm
900 mm 30 × 17 mm
2 ×
16.8 mm 1594 × 896 mm
1800 mm 15 × 9 mm
Angular field of view
16 : 9 Aspect ratio
1 ×
8.4 mm 59°26′ × 35°35′
900 mm 0°37′ × 0°21′
2 ×
16.8 mm 31°52′ × 18°14′
1800 mm 0°18′ × 0°10′
Macro
Available
Approx. Size (H x W x L)
258 × 264 × 610 mm
Weight (Lens hood excluded)
23.9 kg
Features
Virtual, Serial Com
PC
OS-TECH
Quick zoom
Zoom limit
Cruise zoom

Converter-Teranex 2D Processor
Converter-Teranex 2D Processor

Teranex is the world renowned standards converter with incredible virtually transparent quality! Broadcast masters are converted with full quality allowing worldwide distribution. Teranex is perfect for live production and, with the built-in Thunderbolt™ port, can also be used for cleaning and converting content for authoring as well as video capture and playback for editing, design and effects! Teranex is the perfect video converter, standards converter and capture and playback tool all in one!

Yamaha LS9-16
Yamaha LS9-16

LS9-16 is a Digital Audio Mixer, surprisingly small size and lightweight of the LS9-16 make it a perfect choice for applications that require maximum portability and handling ease. Use it for events or temporary live sound setups, and benefit from the power and performance of much larger and more complex systems in an eminently portable package that can be set up and operated anywhere with ease.

The Yamaha LS9-16 is a 16-channel digital mixing console boasting an intuitive interface that gives you fast, easy access to all input channel, mix bus, matrix, and master levels. A virtual effect rack offers built-in graphic EQ and enough effects to fill a full-size rack or two if similar analog gear were used.

Architecture with comprehensive digital patching capability gives you 16 mix buses, 8 matrix buses, and a stereo and mono bus that can be used in LCR mode. Its built-in USB Memory Recorder/Player gives you simple off-board recording, and can also supply background music and sound effects. It also offers a Mini-YGDAI expansion slot for easy system expansion.

Marshall 7 inch (V-LCD70XP-HDMI)
Marshall 7 inch (V-LCD70XP-HDMI)

For Camcorder & DSLR Use
800 x 480
450 cd/m² Brightness
600:1 Contrast Ratio
Manual Gamma Adjustment
Flip Image
Adjustable On-Screen Markers
False Color & Peaking Filters
Composite, Component
HDMI

Dolphin 2.5KV
Dolphin 2.5KV

Rated Voltage (V) 220, DC output-(12V×8.3A for option), Max. Power (kw)-2.7, Rated Power (kw) -2.5Rated current (A) 11.4, Frequency (Hz)-50, Engine Type-Forced air-cooled 4-stroke OHV, Max. Power (kw/rpm)4/3600, Rated Power (kw/rpm)-3.8/3000, Bore Stroke (mm)68×54, Starting System-Recoil manual start/Electric start, Ignition System-Non-contact transistorized ignition(TCI), Noise Level(at 7m)-64dB, Fuel Oil Tank Volume-15 (L), Oil Capacity Volume(L)-0.6 (L), Net /Gross Weight, 50/52 Kgs, Size (L×W×H)-600×440×455.

JBL PRX 618XLF
JBL PRX 618XLF

Hit the lowest of the lows with unmatched clarity and precision, look no further than the PRX618S-XLF sub-woofer from JBL. Part of the stellar PRX600 series, the PRX618S-XLF pushes 1000 watts of low-end drive to fill any venue and rock any dance floor with a full compliment of sub-bass thump. From clubs and bars to rental companies and mobile DJs, the JBL PRX618S-XLF provides the low-end you need in an easy to use and dependable package.

HMI 1.2
HMI 1.2

Where HMI 1.2 using daylight characteristics with compact size and high efficiency are needed, HMI 1.2 is the preferred choice. ARRI\\\'s elegant modular construction, using corrosion-resistant aluminum extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged compact range is ideal for all types of location lighting.

Tungsten 650
Tungsten 650

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminum, maximizes body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

1000W Led Light
1000W Led Light

1000W Led Light
Full Dimming Control
Mounting Yoke
V-Mount Battery
External 12 VDC Input
Adjustable & Removable Barndoors
Uses Only 60W of Energy
Weight: 4 lbs without barndoors and yoke
1000W DC Plug, Battery FD-BP(V Lock)

Baby Gobo Stand
Baby Gobo Stand

Gobo Head
Gobo Head

The gobo head is designed to mount lights, light modifiers, scrims, flags, cutters, and other lighting accessories onto light stands. When trying to get the perfect shot, you often have various lighting accessories such as flags, scrims and cutters set up around your subject. A grip head holds each in a precise position, making it a fairly common piece of equipment on most any set. Its dedicated roller bearings bring maximum torque. Can be used with a c-stand or baby stand (accommodates both short and long stud using the dual position of the screw-in locking system).

Lexar 1000x UDMA7 (128GB)
Lexar 1000x UDMA7 (128GB)

Leverages UDMA 7 technology to provide industry-leading 1000x (150MB/s) minimum guaranteed sustained read transfer speed.
Capture and store high-quality images and 1080p full-HD and 3D video with your DSLR camera.
Supports the Video Performance Guarantee (VPG-20) specification for professional-quality video
Blazing-fast file transfer from card to computer to dramatically accelerate workflow
Includes downloadable Image Rescue 4 software to recover lost or deleted photo and video files.
Compatible with UDMA CF and CF devices

FC-BP Charger (2 Channel)
FC-BP Charger (2 Channel)

2x fast as normal battery charger. The FC-BP is a 2-slot battery charger that provides extra fast charging times for the battery. It is Compatible with other Sony V-Mount batteries also. It offers normal charging time for Sony V-Mount batteries, increasing the versatility of the charger.

Sony PMW-500
Sony PMW-500

Three 2/3 inch PowerHAD FX CCDs
50 Mbps MPEG HD422 recording as MXF files (UDF mode only)
SD Recording and Playback with optional hardware key CBK-MD01
Two ExpressCard SxS Memory Card Slots
Record up to 4 hours 50 Mbps MPEG HD422 in camcorder using two 64 GB SxS-1A memory cards (must be purchased separately)
UDF (Professional Disc compatible) or FAT (XDCAM EX compatible) file format mode shooting to match files and workflows with existing Professional Disc and XDCAM EX camcorders
Optical ND Filters and Electrical CC Filters
Low power consumption
Compact and lightweight at 7 lb 8 oz
Side Panel Color LCD
Slow & Quick motion
Focus Magnification for focus assistance
Slow Shutter Function
Interval Recording Function
ATW (Auto Tracing White Balance) & Hold
Shutter Angle Settings
Turbo Gain
Picture Cache Recording
ALAC (Automatic Lens Aberration Compensation) with compatible lenses
High-quality four-channel audio recording
HD/SD-SDI output and composite/HD-Y output
USB interface for connecting camcorder as card reader
Six Standard Gamma settings and Four HyperGama Settings
Matrix and Multi-Matrix Settings
20-pin viewfinder connector (for HDVF type viewfinders) and 26-pin HD viewfinder connector
50-pin rear panel interface option for XDCA-55 camera extension adapter with CBK-HD02 option board
50-pin rear panel interface option for HDCA-702 MPEG TS adapter (End of March 2011)
Pool-feed input (HD/SD-SDI and composite) option (End of March 2011)
Digital Extender optional (End of March 2011)

FUJI UA24x7.8BE
FUJI UA24x7.8BE

Model Name
UA24x7.8BE
Camera specifications
2/3-inch sensor Bayonet-mount cameras
Focal length
1x
7.8mm -187mm
2x
15.6mm -374mm
Zoom ratio
24x
Extender
2x
Maximum aperture ratio
1:1.8 (7.8mm - 118mm) 1:2.85 (187mm)
Minimum object distance (M.O.D) from the front lens
0.8m
Subject dimensions
(at the M.O.D)
[Horizontal x Vertical]
1x
7.8mm 883mm x 496mm
187mm 38mm x 21mm
2x
15.6mm 459mm x 258mm
374mm 20mm x 11mm
Angle of view
[Horizontal x Vertical]
1x
7.8mm 63.2° x 38.1°
187mm 2.9° x 1.7°
2x
15.6mm 34.2° x 19.6°
374mm 1.5° x 0.8°
Filter thread size
M107 x 1 (A filter is to be attached to the lens hood.)
Dimensions (approx.)
Φ100 x 220.5mm (Φ x Full length)
Weight (approx.)
1.98kg (without the lens hood)

Video Processor
Video Processor

Video processor allows users to display multiple computer-video or full-motion video signals simultaneously on a single screen. Each window can be independently scaled, positioned, or overlapped. The Video Processor combines high performance graphics scaling with flexible and customizable picture-in-picture functionality.

664 Field Production Mixer
664 Field Production Mixer

The 664 Field Production Mixers is the flagship in Sound Devices’ line of portable audio mixers. It has 12 analogue inputs, four output buses, and records these 16 tracks to both CF and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for a wide range of production applications.

The 664 Field Production Mixer is a portable audio mixers joining the 552, 302 and MixPre-D Sound Devices product. The 664 has six input channels and four output bus channels, all recordable for a total of 10-tracks. Other features include Ambient time code, intuitive menus via color LCD interface, multiple mic/line output configurations on XLR, 10-pin and TA-3 connectors, up to four channels of AES inputs (AES-3, AES42), and up to eight channels of AES3 outputs.

Blackmagic SmartView Duo 8\" LCD
Blackmagic SmartView Duo 8\" LCD

Blackmagic Design\'s SmartView Duo comprises a pair of side-by-side 8\" LCD monitors – both with an auto-selecting 3G/HD/SD-SDI input – that are housed in a 3 RU-high, rackmountable form factor. Ideal for live broadcast and mobile video production, the slim SmartView Duo features integrated tally (input via a standard 9-pin D connector) that clearly shows video status by displaying a red, green, or blue ring that borders the screen in question.

HMI 575
HMI 575

Where Fresnel spotlights with daylight characteristics with compact size, high efficiency and lightweight is required, the ARRI Compact Daylight Fresnels are the preferred choice. ARRIS\\\'s elegant modular construction, using corrosion free aluminum extrusions and light weight die castings, offers great structural strength and weather resistance.

Arri Junior 300
Arri Junior 300

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminum, maximizes body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

Torch Light 7 inch
Torch Light 7 inch

LED Torch Light 7 inch is bright and powerful. It’s Flicker Free / Dimmable 10-100%
The Led produces a flicker free light and has a rear facing dimmer knob that can be adjusted from 10% - 100%. The Led torch is very thin and good to carry via the included bag. It\'s a good choice if you need a more powerful and portable led panel light. It comes with magic arm, battery and charger.

Medium Gobo Stand
Medium Gobo Stand

C Clamp
C Clamp

C-clamp is used by means of turning the screw through the bottom of the frame until the desired state of pressure or release is reached. In the case that the clamp is being tightened, this is when the objects being secured are satisfactorily secured between the flat end of the screw and the flat end of the frame. If the clamp is being loosened, this is when a sufficient amount of force is released to allow the secured objects to be moved.

Wise Video + UDMA7 (128GB)
Wise Video + UDMA7 (128GB)

Built in UDMA 7 Technology to Support Industry-leading 1000X(150MB/s) Speed .
Supports VPG(Video Performance Guarantee) for Professional-quality Video.
Won\'t Drop Frames in 1080p full-HD and 3D Video
Supports Continuous Shooting RAW+JPEG in DSLR cameras
Fast Transfers to Computer (150MB/s).

FC-BP Charger (Single Channel)
FC-BP Charger (Single Channel)

2x fast as normal battery charger. The FC-BP is a single slot battery charger that provides extra fast charging times for the battery. It is Compatible with other Sony V-Mount batteries also. It offers normal charging time for Sony V-Mount batteries, increasing the versatility of the charger.

Canon EOS 7D Mark II DSLR
Canon EOS 7D Mark II DSLR

20.2MP APS-C CMOS Sensor
Dual DIGIC 6 Image Processors
3.0 inch 1.04m-Dot Clear View II LCD Monitor
Full HD 1080p/60 Video & Movie Servo AF
Dual Pixel CMOS AF with Live View
65-Point All Cross-Type Phase-Detect AF
Native ISO 16000, Extended to ISO 51200
10 fps Shooting at Full Resolution
Built-In GPS Receiver & Digital Compass
Magnesium Alloy Body Construction

Sony PMW-400K 2/3 inch XDCAM EX HD Camcorder with Lens & 50 Pin Interface Adapter
Sony PMW-400K 2/3 inch XDCAM EX HD Camcorder with Lens & 50 Pin Interface Adapter

Three 2/3 inch Exmor Full HD CMOS Sensors
NTSC & PAL Compatible Frame Rates
1080 (59.94i/50i/29.97p/25p/23.98p)&720p
MPEG2 HD422 50 Mb/s Recording
Records to SxS Pro & SxS-1 Memory Cards
15 Second Pre-Record Cache
Gamma Curves, Slow & Quick Motion
3.5 inch Color LCD Viewfinder
16x Zoom Lens with Bayonet Mount
Power Zoom, Auto/Manual Focus

Canon C300
Canon C300

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photo-sites to perform the crucial optoelectronic transformation of digital imaging. Each photo-site is a generous 6.4 x 6.4 micrometers in area and each has a micro-lens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photo-site simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived.
Low Light/High ISO Ability
A dark and stormy night? With the EOS C300, it\\\'s no problem. The combination of sensor and image processor renders an extraordinary signal-to-noise ratio and as such make shooting at high ISO (up to ISO 16000) a breeze.
Reduced Rolling Shutter and Moiré Artifacting
The EOS C300 uses enhanced signal processing to minimize rolling shutter skews and to reduce moiré artifacts. A high-speed readout significantly reduces the subjective visibility of the vertical skewing on fast-moving horizontal subjects, a typical pitfall of the CMOS image sensor neutralized by Canon technology.

Canon 7D
Canon 7D

Designed for pros and semi-pros alike, the Canon EOS 7D is a high-performance digital SLR, that features the resolving power of an 18-megapixel APS-C format CMOS sensor and dual DIGIC 4 image processors that enable 8 frames-per-second capture of high-definition, low-noise imaging at sensitivity levels up to ISO 12800. It accepts lenses with EF or EF-S mounts.

CL-6 Input Expander
CL-6 Input Expander

The CL-6 Input Expander from Sound Devices adds 6 balanced, line-level inputs to the 664 Production Mixer. The Input Expander connects to the top or bottom of the 664 and includes 6 full-sized fader controls, PFL control and high-pass control. It also features dedicated L and R routing buttons for Inputs 7-12 on the 664 Mixer. 


S-1090H 9-inch
S-1090H 9-inch

The S-1090H is a 9-inch 3G/HD/SD-SDI/HDMI on-camera monitor with 1280 x 800 resolution and 700:1 contrast. It supports 3Gbos SDI, and SDI embedded audio output via earphone. It has front and rear dual TALLY light\'s, Canon DSLR scale zoom-in, video flip, customer editable video title, and a safety mark display. The S-1090H accepts 3G/HD/SD-SDI, HDMI, Composite video input and loop through output, and 1 stereo audio input.

Arri 150W
Arri 150W

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminum, maximizes body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

Torch Light 5 inch
Torch Light 5 inch

LED Torch Light 5 inch is bright and powerful. It’s Flicker Free / Dimmable 10-100%
The Led produces a flicker free light and has a rear facing dimmer knob that can be adjusted from 10% - 100%. The Led torch is very thin and good to carry via the included bag. It\'s a good choice if you need a more powerful and portable led panel light. It comes with magic arm, battery and charger.

G Clamp
G Clamp

G-clamp is used by means of turning the screw through the bottom of the frame until the desired state of pressure or release is reached. In the case that the clamp is being tightened, this is when the objects being secured are satisfactorily secured between the flat end of the screw and the flat end of the frame. If the clamp is being loosened, this is when a sufficient amount of force is released to allow the secured objects to be moved.

SanDisk SSD Extreme 2 (480GB)
SanDisk SSD Extreme 2 (480GB)

Launch applications faster and enjoy quicker system boot ups/shut downs
Sequential Read/Write up to 545MB/500MB per sec.
Random Read/Write up to 95000 /75000 IOPS
Low power consumption for cooler operation and extended battery life; Power Consumption (active): 0.22w
Noise reduction for quiet drive operation; Vibration (Operating/Non-operating) : 5 gRMS, 10-2000 HZ / 4.9 gRMS, 7-800 HZ
Durable Stainless-steel casing in 7.0mm thickness; Shock Resistance up to 1500 G @ 0.5 m/sec
MTBF: 2.0M Hours, product backed with five year limited warranty
Operating temperature: 32ºF to 158ºF (0ºC to 70 ºC)

ALEXA XT Plus
ALEXA XT Plus

ALEXA XT Plus Features
Built-in Remote Control Features
With its built-in radio and lens motor electronics, the ALEXA XT Plus makes working on the set faster and more efficient. Plug the ARRI lens motors directly into the camera, turn on the wireless hand unit (like the WCU-4) and off you go. Integrating the wireless and lens control infrastructure into the camera not only saves time, but also weight, as a setup with an ALEXA XT and an external motor control box would be more cumbersome to cable and heavier in sum. Compatibility with the ARRI hand units, like the WCU-3 and WCU-4, as well as with the cmotion hand units makes this a very flexible tool.

Sony PMW 300K1 XDCAM HD Camcorder
Sony PMW 300K1 XDCAM HD Camcorder

The PMW-300K1 XDCAM HD Camcorder from Sony is designed to meet the demands of field video productions and professional studio applications. It is Sony\\\'s first semi-shoulder mount camcorder to combine the low-light capabilities of three, 1/2\\\" Exmor Full HD CMOS sensors with the broadcast-quality, Full HD MPEG HD422 codec. The camcorder features the same rugged metal construction, interchangeable EX lens mount, and 14x Fujinon HD lens as the PMW-EX3, but introduces advanced signal processing technology for low-noise and clearer images. The PMW-300K1 also features a 3.5\\\" 960 x 540 LCD viewfinder, built-in ND filters, and 8 assignable function buttons.

552 Production Mixer
552 Production Mixer

The 552 contains five precision high-dynamic-range transformer-balanced microphone inputs with expanded gain and headroom. Each input accepts audio sources of various types and levels. Inputs have their own limiter, sweepable high-pass filter, and pre-or-post-fade direct output.

LED Torch 144AS
LED Torch 144AS

With 144 individual LEDs, this 144AS LED video light is super bright, and the high brightness LED lights are manually graded. It has advantages of low energy consumption, high brightness, excellent color rendering and safety in operation. It allows you to change color temperature between 3200k and 5600k. It is convenient for you if you want to change the color temperature even without any color filter.

S-1090H 7-inch
S-1090H 7-inch

The S-1090H is a 7-inch 3G/HD/SD-SDI/HDMI on-camera monitor with 1280 x 800 resolution and 700:1 contrast. It supports 3Gbos SDI, and SDI embedded audio output via earphone. It has front and rear dual TALLY light\'s, Canon DSLR scale zoom-in, video flip, customer editable video title, and a safety mark display. The S-1090H accepts 3G/HD/SD-SDI, HDMI, Composite video input and loop through output, and 1 stereo audio input.

Small G Clamp
Small G Clamp

Small G-clamp is used by means of turning the screw through the bottom of the frame until the desired state of pressure or release is reached. In the case that the clamp is being tightened, this is when the objects being secured are satisfactorily secured between the flat end of the screw and the flat end of the frame. If the clamp is being loosened, this is when a sufficient amount of force is released to allow the secured objects to be moved.

Sony SxS 64GB (SBS-64G1A)
Sony SxS 64GB (SBS-64G1A)

With a transfer rate that\\\'s 50% faster than the previous generation of SxS-1 cards, the 64GB SxS-1 Memory Card is an affordable, Flash-based media option designed for Sony\\\'s XDCAM EX line of camcorders, now including the PMW-500. Offering the same performance and reliability as more expensive SxS Pro cards, the SxS-1 has about one-tenth the lifespan (about 5 years with heavy use). These entry-level cards are ultra-fast, durable, and can record up to 3 hours of HD video. The higher transfer speed translates to improved XDCAM workflow and faster ingest times, making the G1A an ideal media solution, from shoot to edit.

Sony PMW F55
Sony PMW F55

Sony PMW F55:
Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. *Expected as a future upgrade. ** Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximize versatility in 2D and 3D The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting.

Shure FP33 Mixer
Shure FP33 Mixer

The FP33 gives you all the features of the FP32A and more, including: High-quality, sealed input potentiometers, Dynamic range of over 100dB 48V phantom, 12V phantom power, and 12V T (A-B) power, LED indicators of input levels, output peaks, limiter action, and low battery. Pop-up pan pots and a link switch to couple inputs 2 & 3 into a stereo pair, Mix Bus to connect an additional FP33 or FP32A, comprehensive headphone monitoring control including headphone MS stereo matrix, internal DIP switches for over 4,000 customized set-ups. The FP33 has an exceptionally low self-noise and a wide dynamic range that are perfect for use with DAT and other digital recording media.

S-1070H LCD
S-1070H LCD

S-1070H is a high-resolution professional LCD monitor, applied with the strong magnesium alloy shell and multifunctional menu key, allowing an easy operation.

Lexar 800x UDMA7 (64GB)
Lexar 800x UDMA7 (64GB)

The Lexar 64GB CompactFlash Memory Card Professional 800x UDMA 7 is a high-performance CompactFlash (CF) memory card with a data storage capacity of 64GB. It harnesses UDMA 7 technology to deliver an 800x speed rating, enabling maximum sustained read speeds of 120MB/s, with write speeds of up to 75MB/s. The card is compatible with UDMA CF and CF devices. Capture and save still photos and full HD 1080p and 3D video with your DSLR camera. The CF card supports VPG-20 for capturing professional-quality, full HD movies at up to 20MB/s. When paired with a UDMA 7 enabled reader (not included), the card offers super-fast file transfer to computer, drastically accelerating your workflow. Image Rescue 4 software, available via free download, lets you recover lost or accidentally deleted photo and video files.

Canon C300
Canon C300

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photo-sites to perform the crucial optoelectronic transformation of digital imaging. Each photo-site is a generous 6.4 x 6.4 micrometers in area and each has a micro-lens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photo-site simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived.
Low Light/High ISO Ability
A dark and stormy night? With the EOS C300, it\'s no problem. The combination of sensor and image processor renders an extraordinary signal-to-noise ratio and as such make shooting at high ISO (up to ISO 16000) a breeze.
Reduced Rolling Shutter and Moiré Artifacting
The EOS C300 uses enhanced signal processing to minimize rolling shutter skews and to reduce moiré artifacts. A high-speed readout significantly reduces the subjective visibility of the vertical skewing on fast-moving horizontal subjects, a typical pitfall of the CMOS image sensor neutralized by Canon technology.

DJI Osmo Handheld 4K Camera and 3-Axis Gimbal
DJI Osmo Handheld 4K Camera and 3-Axis Gimbal

1/2.3 inch CMOS Sensor
4K (4096 x 2160) Video at 24 or 25p
120 fps Full HD Video for Slow-Motion
12MP JPEG or DNG RAW Still Photos
Handle with Camera and Gimbal Controls
Wi-Fi For Monitoring / Remote Operation
Detachable Smartphone Holder
Photos Bursts at up to 7 Shots
Regular and Moving Time-Lapse Modes
Auto and Selfie Panorama Modes

Behringer MX882 Ultra link Splitter
Behringer MX882 Ultra link Splitter

The MX882 multi-function audio signal router features 6 inputs and outputs which allowing dual usage as a mixer or signal splitter. The signal splitter function allows users to route incoming audio signal, via the main stereo inputs, to any of the available 6 outputs. Servo-balanced, gold-plated XLR and 1/4\" TRS inputs and outputs assure quiet, high-quality audio signal. You can use the MX882 as a DI-Box, or as a multi-channel line matching transformer. Every channel features comprehensive 8-segment metering of input gain, with 4-segment metering provided on main in and main output channels.

GoPro Hero4
GoPro Hero4

Wondlan 7-inch
Wondlan 7-inch

• 7\" LCD external monitor for on- or off-camera display
• Lightweight, low power consumption, economical;
• High resolution (1024(H) x 600(V)) provides operator sharp focus ability
• Headphone Jack 1/8\" mini jack as well as built-in speaker
• TFT LCD 7inch 1152000 Pixels; 16:9/4:3(adjustable) screen ratio

SanDisk Extreme Pro (64GB)
SanDisk Extreme Pro (64GB)

Get high-capacity storage, faster shot-to-shot performance, and cinema-quality video with the SanDisk Extreme PRO CompactFlash Memory Card. With transfer speeds of up to 160MB/s, this card offers the fast, efficient performance you expect from the global leader in flash memory cards**. This industry-leading memory card is optimized for professional-grade video capture, with a minimum sustained write speed of 65MB/s for rich 4K and Full HD video.This memory card resists extreme temperatures, shock, and other conditions.
Designed for professional videographers and photographers
Optimized for 4K video capture**
Transfer speeds of up to 160MB/s
Shot speeds up to 150MB/s
VPG-65 for sustained video recording speeds of 65MB/s*

Sony HDC-2400
Sony HDC-2400

Offers 3G 1080/50P transmission as standard
The HDC-2400 system camera is part of the HDC-2500 Series - successor to the HDC-1500R Series - and incorporates Sony’s advanced technologies for studio cameras. A 2/3-inch CCD and the Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with minimal noise and high dynamic range.

Extra functions and enhanced body design
The HDC-2400 has a camera body designed for exceptional robustness and operational efficiency. The HDC-2400 also provides more flexibility on transmission due to its side panel that can be easily replaced for HD Wireless (3rd Party) or Triax transmission (availability TBC) systems.

3G capable
The HDC-2400 is 3G and a multi-format product (1080/50i,59.94i and 720/50p,59.94p). It can be fully updated to the HDC-2500 by adding option keys (23.97p/25p, 50p/59.94p, 100i/119.88i).

SanDisk Ultra 64 GB Micro SDHC
SanDisk Ultra 64 GB Micro SDHC

Get extreme speed and performance with the SanDisk Extreme microSDXC UHS-I Memory Card. The perfect companion for your smartphone, tablet, or camera, this memory card delivers Full HD video (1080p) recording and playback, and quicker data transfer. And because it has capacities up to 64GB, you’ll never have to worry about running out of storage space.
UHS Speed Class 1 (U1) and Class 10 to record Full HD video (1080p) and 3D video
Capacities up to 64GB to store music, videos, pictures and files
Ideal for tablets, smartphones, and cameras
Waterproof, X-ray proof, temperature proof, and shockproof

Panther Classic Plus
Panther Classic Plus

SOLID
The new Panther Classic PLUS combines the idea of economy with high technical standards. The dolly is based on a rugged, almost maintenance free construction concept.
The central column configuration of the Classic PLUS Dolly provides its user with easy operation and unconstrained versatility already in his basic configuration.

RELIABLE
The electromechanical drive of the Panther Dollieshas proven its high reliability for over 30 years. It was used with the Super Panther for the first time and then continually elaborated over many
dolly generations. The high-quality material and the accurately working single components guarantee you additional longevity and durability, while also maintaining strength in extra-ordinary situations of stresses and strains on set.

ECONOMIC
The new design of the dolly electronics offer storable motion- and limit control.

HANDSET
The different features of the new Panther Classic PLUS are simply structured and can be managed fast and easily by the operator panel at the dolly or by the handset.

SNAP-ON
Batteries with „snap-on“ mechanics supply the dolly with voltage and can be changed quickly and easily. Battery change takes only a second.

EASY
All control elements are coloured to be easily recongized and easy to handle. The heat insulated seat is adjustable.
The bolts can be fixed in „open“ position and can be adapted to the tracks perfectly – especially in curves.
The ergonomic design facilitates intuitive working. Switch-over is completely done without tools. Locking pins and snap-on-batteries boost working speed and provide for a quick change of the Panther Classic PLUS configuration, e. g. for operation on tracks.

WHEELS
Special rubbers used for studio and track wheels ensure smooth driving and low running resistance. All single wheels and even the complete combi wheel can be changed quickly and easily due to dove tail connections.
H-wheels offer a robust and efficient braking system. The locking brake for track and studio wheel can be operated by hand or foot. The brake works even on tracks. No problem when using starter ramps.

CRAB + STEER
As an option, the ClassicPLUS can be equipped with an durable Crab + Steer Shiftbox.
Changing Steering mode is easily done by shifting a lever.
The perfect, mathematically calculated elliptical steering sprockets guarantee perfect circular curves without drift, noise or high rolling resistance.

COLUMN
The patented Panther column with special bearings guarantee smooth and maintenance-free driving. No adjusting necessary due to this special construction of the column.
Gas springs with ball bearings optimize smooth driving and longevity.

HIGH-LOW
TURNSTILE
The new Panther Classic PLUS is equipped with the innovative High-Low Turnstile. With only a few simple steps from the standard position to a low shot position or a high position (Bazooka) without removing the Fluid Head or the camera.
The patented High Low turnstile enables a quick and easy positioning of the camera in each possible position over and near the dolly. The excentrically positioned camera seat offers high ergonomical quality.
The steering rod can be positioned at all four wheel arms. This guarantees exact steering without jerks. The handset can be positioned in the steering wheel. The heat insulated seat can be changed in length and height. The ergonomical High-Low-Turnstile makes the best possible comfort for the cameraman complete.

TRANSPORT
Due to lightweight building the complete dolly can be carried without problem. Transport weight of the dolly (body and column) is approx. 90 kgs. 45 kgs per person. For larger distances a transport cart is available.


SETTING STANDARDS
For the last decades the Panther dollies and their features have set standards in camera support equipment.
This continuous improvement, experience and know-how has created the new Panther Classic PLUS Dolly.
The new Panther Classic PLUS Dolly can be combined with the current accessories, as U-Bangi-Slider, Vario Jib, Super Jib or the Lightweight Jib.

PROTECTION
Covers and a special Gore Tex column protect the dolly from humidity, sand and dirt.

TECHNISCHE DATEN
LENGTH: 84cm (33”)
WIDTH: min. 53,5cm (21”) - max. 82,5cm (32.5”)
MIN. HEIGHT TURNSTILE (center position): 67,5cm (26.5”)
MIN. HEIGHT BOWL / MITCHELL (center position): 76cm (30”)
MAX. HEIGHT TURNSTILE (center position): 135cm (53.5”)
MAX. HEIGHT BOWL / MITCHELL (center position): 144cm (57”)
TRACK WIDTH: schmal: 36cm (14”) - breit: 62cm (24.5”)
WHEEL BASE: schmal: 75cm (29.5”) - breit: 62cm (24.5”)
GROUND CLEARANCE: 5cm (2”)
COLUMN LIFT: 100% (68cm / 27”)
MAX. SPEED: 3,5 Sek. (0-100%)
COLUMN LIFTING FORCE: 250 kg (550 lbs)

Wise S2 64GB
Wise S2 64GB

The S2 card uses Express Card technology. It\'s designed for XDCAM EX series camcorders without type record & long recording flexibility. Featuring high reliability and compact size, the card also offers a high transfer speed USB2.0 to PC or Mack without card reader.

Sony HDC-1700
Sony HDC-1700

Portable system camera with 16-bit A/D conversion and fibre transmission
The HDC-1700 dual-format HD system camera is equipped with sophisticated three-chip 2/3-inch Power HAD FX CCD image sensors and the latest 16-bit A/D converter to provide superior picture quality. The HDC-1700 supports HD and SD signal formats including 1080/50p, 1080/60p, 720/50p, and 720/59.94p. 1080PsF frame rates (24p, 25p, 30p) are available as an optional software update(HZC-PSF20).

Full compatibility with HDC-2500 and HDC-1500 cameras systems

For increased flexibility, there is full compatibility with HDC-2500 and HDC-1500 cameras and accessories, and HDCU-1000/1500 and HDCU-2000/2500 CCUs, allowing the HDC-1700 to be integrated into a wide variety of workflows. The HDC-1700 is a truly cost-effective camera that also delivers genuine user-friendliness.

Sony SxS Pro 32 GB
Sony SxS Pro 32 GB

SxS PRO is based on the SxS memory card specification*, developed for high speed data transfer. The new memory card improves workflow efficiency by reducing transfer times for large data files such as high-definition video, enabling rapid transfer speed of 800 Mbps**. Its compact size contributes to the design of much lighter and smaller camcorders while excellent reliability gives users more opportunity to shoot footage in the harshest of conditions.

Sony HDC-1500
Sony HDC-1500

The HDC-1500 portable camera utilises advanced HD Digital Signal Processing with 14 bit A/D converters. It also incorporates a newly developed CCD imager that creates images in either 1080 50 or 60 frame progressive or 1080 50 or 60 field interlace frame rates, depending on desired final system output. The new CCD and DSP LSI are two key devices that allow stunning image creation in a variety of scanning modes. The new camera system accommodates all popular interlace and progressive scan formats including 1080/50, 1080/24P as well as the highest-quality 720/50P images.

The HDC-1500 camera provides digital transmission using SMPTE standard fibre optic cable to transmit high-quality digital data over long distances. The camera also provides two HD SDI outputs and one digitally down-converted SDI or analogue composite output. In addition, viewfinder signals with characters can be output from the SDI output connector, giving camera operators additional convenience. Furthermore, when in 24P operation, the built-in 2-3 pull-down function of the HDC-1500 enables 60i down-converted SD signals to be output on a standard SD monitor - a capability that also minimises the flicker that generally occurs on the viewfinder.

The HDC-1500, if required, can be operated in a triax environment utislising the HDTX-100 triax adapter.

Sony SxS Pro 16 GB
Sony SxS Pro 16 GB

Sony SBP-16 16GB SxS PRO Memory Card uses Express Card technology which is the next generation PC card standard. It will record approximately one hour of video with XDCAM EX camcorders. It has a high-speed transfer rate of up to 800 Mb/s.

Compact Prime CP2
Compact Prime CP2

Compact Prime CP.2 Lenses
One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, ZEISS is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation.
• Interchangeable Mount
• Full frame coverage (CP.2 18mm only APS-H)
• Robust cine style housing with the ability to utilize follow-focus
• Standard focus and iris gear positions
• Five different mounts available (PL, EF, F, E and MFT mount)
• Consistent front diameter (except of 50 Macro)
• Longer focus rotation and a manual focus and iris
• Calibrated focus scales
Application
Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent filmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature film productions.

SanDisk Extreme Pro (16GB)
SanDisk Extreme Pro (16GB)

16GB Storage Capacity
Optimized for 4K Video Recording
Up to 160MB/s Read Speed
Up to 150MB/s Write Speed
Compatible with RAW & JPEG Formats
Includes RTV Silicone Coating

Arri Ultra Prime Lenses
Arri Ultra Prime Lenses

Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.
Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.
Main Features
• 15 modern high performance prime lenses (T.1.9)
• Widest focal length range: 8 - 180 mm
• Ultra Prime 8R – extreme wide angle lens
• Ultra Prime 180 the best cinema telephoto prime
• Superior close focus ability

Sony SxS Pro 8 GB
Sony SxS Pro 8 GB

Fits XDCAM EX Camcorders
Uses ExpressCard Technology
High-Speed Transfer up to 800 Mb/s
25 Minutes Recording Time

Soundcraft_Vi1
Soundcraft_Vi1

Soundcraft Vi1

A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. As standard, Input to mix capacity is 46chs, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction busses, plus LR and Mono Mix busses.
Up to 8 of the busses can be configured as Matrix mixes, each with up to 16 sources.
The surface is just over a metre wide, and includes 16 motorised channel faders with fixed and user-definable layers, 8 output/VCA faders and 2 master faders.
What\'s really cool about the Vi1 though, is the new Widescreen Vistonics interface, which will be instantly familiar to anyone who\'s driven a Vi6 or Vi4, as well as retaining the same \'walk-up\' user-friendliness of the other Vi consoles. This new development displays all parameters for 16 channels side by side, on a single 22\" Vistonics touch screen. The upper half of the screen handles the Output section control as well as Cue List or Menu displays. Parameter control is via two rows of 16 rotary encoders. Exactly the same channel functionality as the Vi6 and Vi4 is available here, along with all the same core snapshot, talkback and monitoring facilities.
Naturally, the Vi1 inherits many of the facilities of its larger siblings, including Soundcraft FaderGlow™, 4 stereo Lexicon effects engines, BSS Audio graphic EQs on all output busses, and integral dynamics on all channels. The desk is also compatible with Vi2, 4 and 6 show files.
As you’d expect, the price of the Vi1 is extremely attractive, which is sure to make it a clear winner with engineers and sound companies.

Imation 4 GB SDHC
Imation 4 GB SDHC

Imation SDHC Flash Card provides reliable, portable data storage. Featuring high transfer and write speeds, they are compatible with most digital cameras, camcorders, mobile phones, PDAs, netbooks, digital audio players and video game consoles. Designed for daily use, Imation Flash Cards are trusted by professionals worldwide for storing and transporting critical documents, presentations, photos and media content.

Sound Device 664
Sound Device 664

Sound Devices 664

The 664 Field Production Mixer is a portable audio mixers joining the 552, 302 and MixPre-D Sound Devices product. The 664 has six input channels and four output bus channels, all recordable for a total of 10-tracks. Other features include Ambient time code, intuitive menus via color LCD interface, multiple mic/line output configurations on XLR, 10-pin and TA-3 connectors, up to four channels of AES inputs (AES-3, AES42), and up to eight channels of AES3 outputs.

Sound device pix 270i
Sound device pix 270i

Sound devices pix 270i
The PIX 270i records and plays Apple ProRes or Avid DNxHD QuickTime video files through its 12-bit 4:4:4 3G-SDI at data rates from 330 Mb/s (Apple ProRes 4444) down to 36 Mb/s (Pro- Res and DNxHD proxy files). Files recorded on a PIX 270i can be directly imported by leading editing systems including Avid Media Composer, Apple Final Cut Pro, and Adobe Premiere Pro. And QuickTime files made in an editing system are ready for playback on the PIX 270i,
The PIX 270i integrates extensive audio capability with eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, 64 channels of MADI audio (both coaxial and optical), and 64 channels of Dante audio over Ethernet. The unit records audio-only monophonic and polyphonic WAV files.
PowerSafe circuitry provides a constant 10-second power reserve. In the event of power loss, the PIX 270i continues to operate for up to 10 seconds, then cleanly stops any file operation and safely shuts down. The PIX 270i draws 10-27 VDC through a four-pin XLR connector. A secondary connection allows connection to redundant power supplies.

12 Channel DMX Modular Dimmer
12 Channel DMX Modular Dimmer

12 Channel DMX Modular Dimmer Pack (20A per channel)

Automatic frequency sensor can detect power frequency (45Hz-63Hz) in different areas to stabilize the dimming output.
Modular design for easy maintenance and software upgrade.
Intelligent thermo-controlled system:
When the internal temperature over 37 ℃, the thermo-controlled fan will be activated automatically intermittently.
When the internal temperature over 50 ℃, the thermo-controlled fan will be ran at full speed.
When the internal temperature over 75 ℃, it will stop the output automatically to protect the system.
4 set thermo-controlled fans to disperse heat and reduce dust accumulation.
Output of each channel can be limited to protect the load.
DMX address setting: Each channel can set DMX address via LCD display.
SSR: SR-40R with TUV certificate, 40A/ 600V.
Dual signal inputs: For both DMX signal and analog signal.
Signal input indicator.
Self- testing function to test without a console.
Warm-up setting: Each channel can set warm-up value from 0 to 6% to protect lamps.
Options of dimming or non-dimming for each channel.
6 scenes memory and up to 99 zones.
Able to set fade in/ fade out time of scene.
Display interior temperature to assure the safety.
Display V1V2V2`V3 by LED indictor. - See more at: http://www.liteputer.lightstrade.com/view/7177/DX-1228-12CH-DMX-Modular-Dimmer-Pack.html#sthash.MOIcowmB.dpuf

DMX384 (16 Channel)
DMX384 (16 Channel)

- Total of 384 output channels
- Control 12pcs DMX lighting fixtures with 32 DMX channel each
- 30 banks of 8 programmable scenes
- 16 sliders for manual control of channels
- Run last CHASE or BANK continuous when power on again
- Midi control over banks, chases and blackout
- Record up to 6 programmable chases with fade time and speeds
- LED function and program display
- Built in microphone for music triggering
- Auto mode program controlled by fade time sliders
- DMX in/out: 3 pin male/female XRL
- LED lamp connector
- Power input: DC 9-12V 1000ma min
- Dimensions (mm):520mmX183mmX73mm
- Net Weight: 3.0kg

FOR-A Video Switcher
FOR-A Video Switcher

The HVS-300HS 1M/E HANABI HD/SD Portable Video Switcher from FORA is a 1U switcher that offers HD/SD-SDI inputs and outputs. This model of the switcher refers to the combination of the HVS-300MU mains unit and a separate HVS-30OU operating unit. The mains unit is controlled with the separate desktop controller, although other control options are available.

Shoulder Kit Socom
Shoulder Kit Socom

• For 5.56mm / .223 M4, M16 and Variants
• Compatible with SOCOM Sound Suppressors
• Machined Heat-Treated Stainless Steel
• No Permanent Modifications Required
• Durable Ionbond DLC Coatings
• Clamshell Packaging
• Made in USA

HMI 4K
HMI 4K

Canon EF 400mm f/2.8L IS II USM Lens
Canon EF 400mm f/2.8L IS II USM Lens

EF Mount L-Series Lens
Aperture Range: f/2.8-32
Fluorite Optics for Sharper Images
Three Mode Optical Image Stabilisation
Ultrasonic Autofocus Motor
Manual Focus Override
Power Focus Mode and Focus Preset
Autofocus Stop Button Feature
Dust & Moisture Proof & Fluorine Coating
Security Slot for Wire-Type Locks

DJI Inspire 1 PRO Quadcopter with Zenmuse X5 4K Camera and 3-Axis Gimbal
DJI Inspire 1 PRO Quadcopter with Zenmuse X5 4K Camera and 3-Axis Gimbal

4K MFT Camera with 3-Axis Gimbal
15mm f/1.7 Lens Included
Up to 1.2 Mile Radio Range
GPS-Based Stabilization System
Optical Flow Sensor for Indoor Flying
DJI Lightbridge System Integrated
Live 720p HD Monitoring with Lightbridge
Retractable Carbon Fiber Arms
Unobstructed 360° Shooting
Dual Transmitter Operation Supported

DJI Inspire 1 v2.0 Quadcopter with 4K Camera and 3-Axis Gimbal
DJI Inspire 1 v2.0 Quadcopter with 4K Camera and 3-Axis Gimbal

Capture 4K Video and 12MP Stills
3-Axis Gimbal Stabilizes Camera
Up to 1.2 Mile Radio Range
GPS-Based Flight Control System
Vision Positioning for Indoor Flying
Live 720p HD Monitoring with Lightbridge
Thrust-Boosted Motors / New Propellers
Retractable Carbon Fiber Arms
Unobstructed 360° Shooting
Dual Transmitter Operation Supported

Atomos Shogun 4K HDMI/12G-SDI Recorder and 7 inch Monitor
Atomos Shogun 4K HDMI/12G-SDI Recorder and 7 inch Monitor

1920 x1200 IPS Touchscreen Display
Records 4K (3840x2160) up to 30 fps
Records 1080p up to 120 fps
ProRes, DNxHD, DNxHR and Encoding
UHD 4K-Capable HDMI Input
12G-SDI Input and Loop-Output
Stores to Single or RAID HDDs or SSDs
Video Playback and 4K Down-Conversion
5 x Master II Drive Caddies Included
XLR Audio LEMO Breakout Cable Included

Atomos Shogun Studio 4K Monitor / Recorder 12G-SDI, HDMI
Atomos Shogun Studio 4K Monitor / Recorder 12G-SDI, HDMI

Dual 7 inch Monitors in a Rack Mount Chassis
4K/1080p60 Recording to Multiple Codecs
Records 4K (3840x2160) up to 30 fps
Records 1080p up to 120 fps
ProRes, DNxHD, DNxHR and Encoding
SSD, HDD, CFAST in Drive Caddy
Supports 4:2:2 at 8/10/12-bit Recording
UHD 4K-Capable HDMI Input
12G-SDI Input and Loop-Output
Stores to Single or RAID HDDs or SDDs

Canon EF 15mm f2.8 Fisheye
Canon EF 15mm f2.8 Fisheye

Fisheye lens with a 180º angle of view for unique and intriguing effects. The wide depth of field makes it even more interesting. The short minimum focusing distance of 8 in. (20 cm) gives new meaning to close-up shots. The lens has a fixed petal-type hood and a gelatin filter holder at the rear.

8-15mm Fish Eye
8-15mm Fish Eye

• EF Mount L-Series Lens
• Aperture Range: f/4-22
• Ultra-Low Dispersion & Aspherical Glass
• 180° Diagonal Angle of View
• Produces Circular & Full Frame Images
• Ultrasonic Autofocus Motor
• Zoom Limiter Function
• Subwavelength Structure Coating
• Dustproof & Moisture Proof Sealing
• Protective Fluorine Lens Coating

16Amp(Single Phase)
16Amp(Single Phase)

230v Single Phase 16A extension lead using 3 core 2.5mm black HO7 RN-F cable.
IP44 16A plugs & connectors.
Fully PAT Tested.
Range of lengths can be chosen:
5m,10m,15m,25m,30m

32Amp(Single Phase)
32Amp(Single Phase)

230v Single Phase 16A extension lead using 3 core 6mm black HO7 RN-F cable.
IP44 16A plugs & connectors.
Fully PAT Tested.
Range of lengths can be chosen:
5m,10m,15m,25m,30m

Angenieux Optimo 30-76
Angenieux Optimo 30-76

• Covers Super 35 Sensor Size
• Suitable for 4K Image Capture
• Internal Focus Design
• No Lens Breathing
• 320° Focus Rotation
• Weighs 4.2 Pounds
• 114mm Front Diameter
• PL Mount with Optional Mounts Available

Canon 70-200mm IS
Canon 70-200mm IS

• EF Mount L-Series Lens
• Aperture Range: f/2.8-32
• Fluorite & Ultra-Low Dispersion Elements
• Two Mode Optical Image Stabilization
• Ultrasonic Focus Motor
• Super Spectra Multi Coating
• Manual Focus Override
• Minimum Focus Distance: 3.9'
• Eight Blade Circular Aperture
• Dust & Moisture Resistant Sealing

CF700X UDMA6(32GB)
CF700X UDMA6(32GB)

• Won't Drop Frames in HD Video
• Supports Rapid-fire RAW in DSLRs
• Slow Motion Approved
• 105 MB/s Read, 67 MB/s Write

Converter-Teranex 2D Processor
Converter-Teranex 2D Processor

• Standards/Format Converter & I/O Device
• Simultaneously Converts and Captures
• Up/Down/Cross Format Conversions
• Aspect Ratio Conversion
• Adjustable Scaling
• 16 Channel Audio Conversion
• Teranex-Patented SIMD Technology
• Instant Sophisticated Calculations
• High-Quality De-Interlacing
• Converts Indistinguishably from Master

Dido Light Kit (DLH4) Set
Dido Light Kit (DLH4) Set

• DLH1x150S 150W Soft Light Head
• Three DLH4 150W Focusing Light Heads
• Four Dimmable Power Supplies
• 12 x 12" Dedoflex Silver Mini Softbox
• Translucent Diffuser & 8-Leaf Barndoors
• 3 Dichroic Daylight Conversion Filters
• Diffusion Filter Set and Holder
• Battery Cable and Car Adapter
• Ten Halogen Lamps & Four 7' Light Stands
• Pouch, Accessory Box, and Soft Case

EF 400mm 128 L IS 2 USM
EF 400mm 128 L IS 2 USM

• EF Mount L-Series Lens
• Aperture Range: f/2.8-32
• Fluorite Optics for Sharper Images
• Three Mode Optical Image Stabilization
• Ultrasonic Autofocus Motor
• Manual Focus Override
• Power Focus Mode and Focus Preset
• Autofocus Stop Button Feature
• Dust & Moisture Proof & Fluorine Coating
• Security Slot for Wire-Type Locks

Electra(ELED-5055)50 inch
Electra(ELED-5055)50 inch

• Bravo HDMI Series
• Slim Frame Design
• Enjoy video in stunning high-resolution 1080p
• Attractive super-slim profile fits anywhere
• Built-in Analog TV tuner (PAL/NTSC/SECAM)
• Support Computer monitor connection
• Noise reduction
• Multi-language on-screen display
• 3D comb filter and HDMI 1.3 input
• Simulated Surround Sound

LED Flood Light 30W
LED Flood Light 30W

●     The use of independent intellectual property rights of the high integrated high-power LED light source,compared with the traditional equal brightness floodlight energy-saving more than 65%.
●  The first radiator and lamp case integration design, LED directly to the shell and is tightly connected with the ideal cooling effect, and fully guarantee the LED life.
●     The lamp adopts aluminum alloy die-casting molding, can effective heat dissipation, waterproof, dustproof,waterproof grade standard by IP65.
●     No bad glare and stroboscopic, eliminating the common floodlights undesirable glare caused by the glare,visual fatigue and disturbance.
●     Activated without delay, power that is the normal brightness, without having to wait for a long time, the elimination of the traditional lights start process.
●     Green pollution-free: no lead, mercury or other elements of environmental pollution, no pollution to the environment.
●  Selection of wide voltage (AC86-265V), high efficiency, constant current and constant voltage switching power supply (green can also use the DC/DC switching power supply).

Lexar 1066x UDMA7(32GB)
Lexar 1066x UDMA7(32GB)

• 32GB Data Storage Capacity
• 1066x Speed Rating
• Max. Read Speed 160 MB/s
• Max. Write Speed 155 MB/s
• Min. Write Speed 65 MB/s
• UDMA 7 Compliant

Lexar 1066x UDMA7(128GB)
Lexar 1066x UDMA7(128GB)

• 128GB Data Storage Capacity
• 1066x Speed Rating
• Max. Read Speed 160 MB/s
• Max. Write Speed 155 MB/s
• Min. Write Speed 65 MB/s
• UDMA 7 Compliant

Manfrotto-504HD
Manfrotto-504HD

• 16.5 lb (7.5kg) Load Capacity
• Aluminum Legs
• 18" to 66" Range
• 4-Step Counterbalance
• Ball-bearing Drag System
• Illuminated Bubble Level
• Mid-level Spreader
• Padded Tripod Bag

Manfrotto-526
Manfrotto-526

• 545GB Tripod
• Ground-Level Spreader
• 526 Fluid Head
• 35 lb Capacity

San Disk Extreme UDMA 7(32GB)Gold
San Disk Extreme UDMA 7(32GB)Gold

• 32GB Storage Capacity
• Read Speed up to 120 MB/s
• Write Speed up to 85 MB/s
• UDMA 7 Compliant
• Limited Lifetime Warranty

SanDisk Extreme Pro 95MBs(128 GB)
SanDisk Extreme Pro 95MBs(128 GB)

• SDI Input and Equalized Loop Output
• HDMI 1.2 Output
• 8-Channel Embedded Audio Supported
• 2-Channel RCA for Separate Audio
• Universal Power Supply Included

SanDisk Extreme Pro(32GB)
SanDisk Extreme Pro(32GB)

• 32GB Storage Capacity
• Optimized for 4K Video Recording
• Up to 160MB/s Read Speed
• Up to 150MB/s Write Speed
• Compatible with RAW & JPEG Formats
• Includes RTV Silicone Coating

SanDisk Extreme(128GB)
SanDisk Extreme(128GB)

• 128GB Storage Capacity
• UHS-I / U3 / Class 10
• Max Read Speed: 90 MB/s
• Max Write Speed: 60 MB/s
• Min Write Speed: 30 MB/s
• Records Full HD, 3D, and 4K Video
• Water / Shock / X-Ray Proof
• Built-In Write-Protect Switch
• Advanced Error Correction Code
• Downloadable Photo Recovery Software

SDI to HDMI
SDI to HDMI

• SDI Input and Equalized Loop Output
• HDMI 1.2 Output
• 8-Channel Embedded Audio Supported
• 2-Channel RCA for Separate Audio

Slider I Footage Shark SloderS1 Bundle
Slider I Footage Shark SloderS1 Bundle

• 20" Slider with Extension Tubes
• Extendable to 42" Maximum Sliding Range
• Includes Long Drive Belt for Extension
• Flywheel for Smooth Tracking Shots
• Simple, Single-Tool Assembly
• Carbon Fiber and Aluminum Construction
• Includes Carrying Bag

Sony ECM-673
Sony ECM-673

• Supercardioid Polar Pattern
• Suitable for Sony Pro Cameras
• High Sensitivity & Low Noise

Sony Magic Gate Mark2(16GB)
Sony Magic Gate Mark2(16GB)

• 16GB memory capacity
• supports read and write speeds of up to 32 Mbps
• designed to operate with high-def AVCHD recording devices
• some memory required for system management
• SDMI-compliant MagicGate™ encryption technology
• 13/16"W x 1-1/4"L x 1/16"D

Swit 8.9 - Inch (S-1092H) Video monitor
Swit 8.9 - Inch (S-1092H) Video monitor

• Full HD 1920*1200, H170°/V170°viewing angle, 800:1 contrast
• Applied LCD protective glass
• 3G/HD/SD-SDI, HDMI, CVBS, input and loop through output
• Under SDI or HDMI input, Pic-in-Pic display another channel of CVBS
• Peaking focus assist (red/blue switch)
• 2-ch SDI / HDMI embedded audio meter display
• SDI timecode display
• Underscan / Overscan, safe area, 4:3 marker
• Blue Only / Zebra (SDI&HDMI)
• Front & rear TALLY light
• V-mount or Snap-on DV mount: F/P/J/C/U/E/B/V/I

Swit Battery Charger
Swit Battery Charger

• 2-ch intelligent charger
• 1 DC adapting output for SONY cameras
• About 3 hours for charging 1 battery, 5 hours for charging 2 batteries
• Applicable for SWIT S-8U63 DV battery
• Compatible with Sony BP-U60/U30 DV batteries.
• 4-level LED charging indicators

Trypod Dolly-114MV
Trypod Dolly-114MV

• For 3181/82/85/86/90/and 3193 Series
• Replaces # 3068
• 132 lb Load Capacity

Sony Alpha a7S II Mirrorless Digital Camera
Sony Alpha a7S II Mirrorless Digital Camera

• Full model name: Sony Alpha ILCE-A7S II
• Resolution: 12.20 Megapixels
• Sensor size: 35mm (35.6mm x 23.8mm)
• Viewfinder: EVF / LCD
• Native ISO: 100 - 102,400
• Extended ISO: 50 - 409,600
• Shutter: 1/8000 - 30 sec
• Dimensions: 5.0 x 3.8 x 2.4 in. (127 x 96 x 60 mm)
• Weight: 22.1 oz (627 g) includes batteries

Sony PXW-FS7M2 XDCAM Super 35 Camera System
Sony PXW-FS7M2 XDCAM Super 35 Camera System

• 4K and UHD resolutions
• Internal Variable ND
• Upgraded locking E-mount
• Rec. 2020 color space
• XQD cards eject further from body for easier card swapping in the field
• Square mount rod for viewfinder